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What is (real) Hinduism? The simple answer is that there is no ‘simple answer’. We know Hinduism as the most ancient, complex and fascinating religion of humankind. It may also be the least understood due to bewildering variety of its thought processes, which are both original and sublime. An attempt has been made in the book to present a short and simplified, yet comprehensive view of Hinduism – its culture and civilization. The vast range of Hindu gods and goddesses is fully explored. It is considered that after going through the book, aam admi (layman) would be greatly informed about Hinduism; and Hindus will feel empowered about their religion. The book will be of special interest ...
'Veda' literally means 'knowledge' in Sanskrit. It is because the term was derived when the ancients thought of putting their experiences in an organised manner. It can't be said in the written form because it is certain that in that hoary past period writing had not been invented. Nevertheless, the four Vedas, viz. Rigveda, Saamveda, Yajurveda and Atharvaveda, are known to contain the pristine gems of Indian wisdom. They appear universally important because they constitute one of the first records of the human 'awakened' experiences. They can be said to be the very fount of Indian wisdom. It is their status, apart from the contents, that made them universally popular. It is to highlight their extreme significance that we are undertaking this project of revealing before the curious readers their Sookta or aphorism-wise translation.
In this ground-breaking study the traditional Indian science of architecture and house-building,Vastu Vidya, is explored in terms of its secular uses, at the levels of both theory and contemporary practice. Vastu Vidya is treated as constituting a coherent and complete architectural programme, still of great relevance today. Chakrabarti draws on an impressive amount of textual material, much of it only available in Sanskrit, and presents several extremely valuable illustrations in support of the theories expounded. Each chapter deals with one architectural aspect, and chapters are divided into three sections. For each aspect, the first section explains the prescriptions of the traditional texts; the second section deals with the rather arbitrary use of that aspect by contemporary Indian architects trained in the western manner but striving to relate to Indian roots; while the last section in each chapter explores the selected use of that particular aspect by contemporary Vastu pundits, with their disregard for architectural idiom.
The Book Presents, Within A Moderate Compass, A General Survey Of The History And Culture Of Ancient India. It Begins With An Outline Of The Historical Changes Through Which India Has Passed From The Earliest Days Down To The Beginning Of The Thirteenth Century, And Thence Proceeds To Sketch The Conditions Of Society As Revealed By Literature And The Monuments, The Constitution And Administration Of The State, The Chief Religious Rituals, The Nature Of The Scientific Knowledge Possessed By The Ancient Hindus, Their Systems Of Weights, Measures, And Coinage, Their Writing, And Their Achievements In Architecture, Sculpture And Painting.The Book Would Be Of Great Interest And Immense Use To The Students, Teachers And Researchers Of Ancient Indian History.