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Wagner Beyond Good and Evil
John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches. At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.
Wagner
O que é a vida de Wagner? É uma aventura fabulosa que, por destino e por vontade, ele soube transformar em mito. Não deixou ao tempo ou à posteridade o trabalho de criar sua lenda; ele mesmo a construiu.
Physics In D>=4: Tasi 2004 - Proceedings Of The Theoretical Advanced Study Institute In Elementary Particle Physics
This book contains write-ups of lectures from a summer school for advanced graduate students in elementary particle physics. In the first lecture, Scott Willenbrock gives an overview of the standard model of particle physics. This is followed by reviews of specific areas of standard model physics: precision electroweak analysis by James Wells, quantum chromodynamics and jets by George Sterman, and heavy quark effective field by Matthias Neubert. Developments in neutrino physics are discussed by André de Gouvea and the theory behind the Higgs boson is addressed by Laura Reina. Collider phenomenology from both experimental and theoretical perspectives are highlighted by Heidi Schellman and Tao Han. A brief survey of dynamical electroweak symmetry breaking is provided by R Sekhar Chivukula and Elizabeth H Simmons. Martin Schmaltz covers the recent proposals for “little” Higgs theories. Markus Luty describes what is needed to make supersymmetric theories realistic by breaking supersymmetry. There is an entire series of lectures by Raman Sundrum, Graham Kribs, and Csaba Csáki on extra dimensions. Finally, Keith Olive completes the book with a review of astrophysics.
Physics in D >
This book contains write-ups of lectures from a summer school for advanced graduate students in elementary particle physics. In the first lecture, Scott Willenbrock gives an overview of the standard model of particle physics. This is followed by reviews of specific areas of standard model physics: precision electroweak analysis by James Wells, quantum chromodynamics and jets by George Sterman, and heavy quark effective field by Matthias Neubert. Developments in neutrino physics are discussed by Andr de Gouvea and the theory behind the Higgs boson is addressed by Laura Reina. Collider phenomenology from both experimental and theoretical perspectives are highlighted by Heidi Schellman and Tao Han. A brief survey of dynamical electroweak symmetry breaking is provided by R Sekhar Chivukula and Elizabeth H Simmons. Martin Schmaltz covers the recent proposals for ?little? Higgs theories. Markus Luty describes what is needed to make supersymmetric theories realistic by breaking supersymmetry. There is an entire series of lectures by Raman Sundrum, Graham Kribs, and Csaba Cs ki on extra dimensions. Finally, Keith Olive completes the book with a review of astrophysics.
Cynical Citizenship
The appeals of citizenship : a performative approach to discourse, subjectivity, and gender -- "We are gaúchos, we are gaúchas" : incitements to gendered and regional subjectivity in the 2002 election campaigns -- Political time in Porto Alegre : electoral citizenship, experimental subjectivities, and gendered self-agency -- Participation speaks louder : ambiguity and contradiction in official representations of citizenship in the Porto Alegre participatory budget -- Cynical citizenship : gendered performance and parody in the Porto Alegre participatory budget -- Invitations to global citizenship, neoliberal critique, and a party : official discourses and local media coverage of the 2003 World Social Forum -- Participation from the periphery : Beira Rio community leaders' perceptions of the 2003 World Social Forum -- Another citizenship (theory) Is possible
Goodbye, Brazil
Brazil, a country that has always received immigrants, only rarely saw its own citizens move abroad. Beginning in the late 1980s, however, thousands of Brazilians left for the United States, Japan, Portugal, Italy, and other nations, propelled by a series of intense economic crises. By 2009 an estimated three million Brazilians were living abroad—about 40 percent of them in the United States. Goodbye, Brazil is the first book to provide a global perspective on Brazilian emigration. Drawing and synthesizing data from a host of sociological and anthropological studies, preeminent Brazilian immigration scholar Maxine L. Margolis surveys and analyzes this greatly expanded Brazilian diaspora, a...
Opera as Art
Paul Thom argues that opera is a set of practices framed by the concepts of work, interpretation, performance, and art. His argument is that operatic works have the potential to be art, but so do operatic productions, independently of their value as interpretations of the works they stage.
Stitching
We will fix it. We will mend it... In the light of a pregnancy, a faithless couple pick apart their relationship, stitch by painful stitch. Can it be mended? Anthony Neilson's dark and intimate new play is a love story set at the extremes of brutality, banality and tenderness. Stitching opened at the Traverse Theatre, Edinburgh, on 2 August 2002 and transferred to the Bush Theatre, London, on 12 September 2002."Explodes with power, discipline, integrity and sheer cruel psychological accuracy ... Neilson's writing has a terrible beauty" Sunday Times "Startlingly rich and challenging, Neilson depicts with aching precision a relationship in which love is undermined by distrust" Time Out "Shattering, shocking...a serious, persuasive account of the blind alleys love can lead us down" Daily Telegraph "A characteristically brave and brutal offering" Independent "A deeply mesmerising, if shocking, experience as a couple smashes through taboo after taboo in a harrowing sexual tug of war" Evening Standard
