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Equestrian Art
From 1951 to 1956, Nuno Oliveira wrote about sixty articles concerning horses and riding in two Portuguese magazines, "Diana" from 1951 to 1954, then "Vida Rural" until the end of 1956.At the time, Nuno Oliveira was in his thirties, yet he was already an accomplished rider, with vast experience. Trained in haute école by his relative, the former écuyer of the Portuguese Royal House, Joaquim Gonçalves de Miranda, he decided at an early age to devote himself to the equestrian art and soon acquired a great reputation in Portugal.The articles he wrote in the 1950s, are around 1000 words long. Most of these early writings are models of that great equestrian intelligence which was one of the ha...
Equestrian Art The Collected Later Works by Nuno Oliveira
Master Nuno Oliveira is considered to be one of the leading figures (if not the leading figure) in the Equestrian Art of the 20th century. He was not only an expert in the discipline and its history but also an outstanding teacher and mentor, an instructor with unusual intelligence and a highly developed equestrian feeling, an unrivaled artist in the saddle. His great genius consisted of the comprehensive synthesis of the two emerging but up until then, contrary schools of the Old French riding masters as represented by the teachings of Francois Robichon de la Guérinière (of the 18th century) and Francois Baucher (of the 19th century). What made Oliveira stand out was his unwavering, unpre...
The Legacy of Master Nuno Oliveira
This book represents a fascinating compilation of conversations, notes from Nuno Oliveira's lessons, biographical material and observations about his teachings. Within these pages are pictures - including some never before published - that span the Master's career
Reflections on Equestrian Art
Nuno Oliveira was one of the last of the great international riding masters. He revealed much of his own personality and philosophy in his writing, examining and explaining classical techniques with clarity and brilliance. The book emphasizes lightness and harmony, reflecting a deep love and respect for the horse.
Truth in the Teaching of Master Nuno Oliveira
This great book is the next in Xenophon Press' series by the students of Master Nuno Oliveira. Eleanor Russell studied with Oliveira for over ten years. During this time, she took dutiful notes of her master's teachings and faithfully recorded quotations of his lessons and discussions
Equestrian Art: the Collected Early Writings
From 1951 to 1956, Nuno Oliveira wrote about sixty articles concerning horses and riding in two Portuguese magazines, "Diana" from 1951 to 1954, then "Vida Rural" until the end of 1956.At the time, Nuno Oliveira was in his thirties, yet he was already an accomplished rider, with vast experience. Trained in haute école by his relative, the former écuyer of the Portuguese Royal House, Joaquim Gonçalves de Miranda, he decided at an early age to devote himself to the equestrian art and soon acquired a great reputation in Portugal.The articles he wrote in the 1950s, are around 1000 words long. Most of these early writings are models of that great equestrian intelligence which was one of the ha...
The Wisdom of Master Nuno Oliveira
This is the only English translation of 'Paroles du Maitre' by Antoine de Coux Antoine de Coux, a magistrate in the Belgian Congo, was undoubtedly one of the most loyal students of Master Nuno Oliveira. From 1966, when they met and became close friends, until Oliveira's death in 1989, Antoine de Coux participated in the annual two-month training sessions that Nuno Oliveira held in Belgium. De Coux was a fine rider, watched every lesson and took copious notes, filling more than forty notebooks. He faithfully recorded the teachings and remarks of the Master. When Oliveira passed, de Coux decided to organize this great "memoir of a life experience," so that all riders could benefit from this kn...
Forty Years Later
"Classical dressage master Dominique Barbier chronicles his early years training with the Portuguese riding icon Nuno Oliveira. Barbier shares the lessons he learned and insight he gained during this time. Includes contributions from other renowned classical riders: Bettina Drummond, Dany LaHaye, and Luis Valenca. Comparable titles include The Alchemy of Lightness and Meditation for Two by Dominique Barbier and Reflections on Equestrian Art by Nuno Oliveira"--
Nuno Oliveira
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