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The Strange Adventures of Andrew Battell of Leigh, in Angola and the Adjoining Regions
Adventures between 1589 and 1607, edited, with notes and a concise history of Kongo and Angola. With part of Anthony Knivet's account of his activities in the same countries, from the same source. This is a new print-on-demand hardback edition of the volume first published in 1901.
A Social History of Black Slaves and Freedmen in Portugal, 1441-1555
This book is a detailed study of black slavery in Portugal during the fifteenth and sixteenth centuries.
On Kings
In anthropology as much as in popular imagination, kings are figures of fascination and intrigue, heroes or tyrants in ways presidents and prime ministers can never be. This collection of essays by two of the world’s most distinguished anthropologists—David Graeber and Marshall Sahlins—explores what kingship actually is, historically and anthropologically. As they show, kings are symbols for more than just sovereignty: indeed, the study of kingship offers a unique window into fundamental dilemmas concerning the very nature of power, meaning, and the human condition. Reflecting on issues such as temporality, alterity, and utopia—not to mention the divine, the strange, the numinous, and the bestial—Graeber and Sahlins explore the role of kings as they have existed around the world, from the BaKongo to the Aztec to the Shilluk and beyond. Richly delivered with the wit and sharp analysis characteristic of Graeber and Sahlins, this book opens up new avenues for the anthropological study of this fascinating and ubiquitous political figure.
African Film
In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.
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