You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In just half a century of growth, the art fair industry has transformed the art market. Now, for the first time, art market journalist Melanie Gerlis tells the story of art fairs' rapid ascent and reflects on their uncertain future. From the first post-war European art fairs built on the imperial 19th-century model of the International Exhibitions, to the global art fairs of the 21st century and their new online manifestations, it's a tale of many twists and turns. The book brings to life the people, places and philosophies that enabled art fairs to take root, examines the pivotal market periods when they flourished, and maps where they might go in a much-changed world.
This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, ...
One of the founding members of the Brotherhood of Ruralists, David Inshaw is a key figure in 21st century British art. This edition contains updated text from the hardback edition.
Exhibition catalogue. Curators Anna Colin & Lydia Yee have chosen 42 contemporary artists for this years touring exhibition. The exhibition will tour Leeds Art Gallery, the Scottish National Gallery of Modern Art (Edinburgh), Norwich University of the Arts and Norwich Castle Museum and Art Gallery, as well as the John Hansard Gallery (University of Southampton) and the Southampton City Art Gallery between October 2015 and January 2017.
For the prospective buyer, the world of printmaking can be overwhelming. Intaglio, lithography, aquatint and sugarlift--even the terms used have the potential to confuse. Helen Rosslyn, a prints and drawings specialist and Director of the London Original Print Fair, provides her expert insider advice in this straight-talking guide. She explains the techniques used by today's printmakers, accompanied by a brief history of printmaking. A comprehensive glossary elucidates printmaking terms, including the newer language of digital printmaking. Rosslyn answers the commonly asked questions to help the reader navigate this often mysterious world. There are tips and expert advice from artists, print dealers, paper conservators, picture framers and art handlers, alongside reproductions of some of the finest prints from the collection of the Royal Academy of Arts, making this book the perfect companion for anyone interested in buying or collecting prints, whether old master or contemporary.
Ursula K. Le Guin has won or been nominated for over 200 awards for her fiction, including the Hugo, Nebula, World Fantasy and SFWA Grand Master Awards. She is the acclaimed author of the Earthsea sequence and The Left Hand of Darkness - which alone would qualify her for literary immortality - as well as a remarkable body of short fiction, including the powerful, Hugo-winning 'The Ones Who Walk Away from Omelas' and the masterpiece of anthropological and environmental SF 'The Word for World is Forest' - winner of the Hugo Award for best novella. But Ursula Le Guin's talents do not stop at fiction. Over the course of her extraordinary career, she has penned numerous essays around themes impor...
The 'London Art and Artists Guide' provides information on art schools, museums, galleries, studios and the people involved with them. It also covers restaurants, markets and general features that relate to London.
The first major publication with a focus on contemporary art that reflects on a pre- and post-Windrush Caribbean/British movement This fascinating book traces the connection between Britain and the Caribbean in the visual arts from the 1950s to today, a social and cultural history more often told through literature or popular music. With its multi-generational perspective, it reveals that the Caribbean connection in British art is one of the richest facets of art in Britain since the Second World War, and is a lens through which to understand the Caribbean diasporic experience in all its social, cultural, psychological, and political complexities across generations. Features over 40 artists, including Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, Peter Doig, Hurvin Anderson, Grace Wales Bonner, and Alberta Whittle.
Presents a collection of botanical paintings along with descriptions of the artists' techniques and backgrounds.