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"In time for Brazil's hosting of the 2014 World Cup, this book uses the stories of star players and other key figures (based on over 40 interviews) to create a contemporary history of Brazilian soccer from the 1950s to the present. It also explores race and class tensions in Brazil and shows how soccer is central to the country's dramatic trajectory toward modernity and economic power"--
The Object of the Atlantic is a wide-ranging study of the transition from a concern with sovereignty to a concern with things in Iberian Atlantic literature and art produced between 1868 and 1968. Rachel Price uncovers the surprising ways that concrete aesthetics from Cuba, Brazil, and Spain drew not only on global forms of constructivism but also on a history of empire, slavery, and media technologies from the Atlantic world. Analyzing Jose Marti’s notebooks, Joaquim de Sousandrade’s poetry, Ramiro de Maeztu’s essays on things and on slavery, 1920s Cuban literature on economic restructuring, Ferreira Gullar’s theory of the “non-object,” and neoconcrete art, Price shows that the turn to objects—and from these to new media networks—was rooted in the very philosophies of history that helped form the Atlantic world itself.
"This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Brazilian lyric."--Severino Joao Albuquerque, University of Wisconsin "Perrone retraces the dialogue of the Brazilian lyric with the poetry of the Americas in the generous spirit that the poets' utopia of solidarity will serve as a counterpoint to the harsher side of globalization."--Luiza Moreira, Binghamton University In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized wor...
Poemas que, das maneiras mais variadas, demonstram que nossa fragilidade pode ser sempre uma forma de acusação – que toda delicadeza é uma afronta à brutalidade circundante, um respiro corajoso contra tudo que é asfixiante. Cada página desta antologia é um convite para que o leitor vá até os livros dos autores que dela participam. Com curadoria de Tarso de Melo e direção de arte de Fernando Saraiva. Participam desta edição: Adelaide Ivánova, Alberto Pucheu, Amanda Copstein, Ana Estaregui, Ana Martins Marques, Andreev Veiga, Bianca, Gonçalves, Carlos Augusto Lima, Casé Lontra Marques, Chantal Castelli, Dalila Teles Veras, Diana Junkes, Edimilson de Almeida Pereira, Eduardo Sterzi, Elisa Carareto, Fabiano Calixto, Fabrício Marques, Fernanda Marra, Izabela Leal, Jade Marra, Jeanne Callegari, Julia Copa, Júlia Studart, Karen Hofstetter, Leandersson, Leonardo Fróes, Leonardo Gandolfi, Luci Collin, Luna Vitrolira, Manoel Ricardo de Lima, Marcela Cantuária, Marcelo Ariel, Marcelo Montenegro, Matheus Guménin Barreto, Micheliny Verunschk, Renan Nuernberger, Reynaldo Damazio, Sara Síntique, Simone Brantes
Listening to Others is the first English-language volume dedicated solely to the vast corpus of the preeminent Brazilian director, Eduardo Coutinho (1933–2014). From his early work in the 1960s to his last, posthumous film in 2015, Coutinho transformed documentary filmmaking in Brazil and beyond. Described as an informal linguist and savage anthropologist, Coutinho filmed encounters with people different from himself that foregrounded their voices and his role as an attentive listener, creating a "cinema of listening." This collection brings together leading scholars of film, literature, visual culture, Brazilian studies, and Latin American studies, from the United States and Latin America...
This book brings together key scholars writing on Brazilian slavery and abolition, emphasizing the profound impact it had on the social, political, and institutional history of modern Brazil. For the first time, English-language readers can access in one place arguments that have transformed the historiography of Brazilian slavery.
Aesthetics is no longer the preserve of art historians and philosophers of art. Changes in society, culture, economy, urban dynamics and everyday life, push us towards considering the aesthetic components of traditionally non-aesthetic domains. Today it is not only legitimate but necessary to query the relationship between the social as a cohesive and encompassing form of community and human institutions and the aesthetic, that is the sensual, sensory, or, perhaps better, the sensible. Increasingly the social seems to emerge from the sensible and sentient meaning of objects. The volume SocioAesthetics: Ambience – Imaginary collects scholars from social science, aesthetics, arts, and cultural studies in case-driven debate, ranging from biometrics to luxury commodities, on how a new alignment of aesthetics and the social is possible and what the possible prospects of this may be.
The favelas (slums) of Rio de Janeiro provide an ideal case study since they are renowned for high levels of police and gang violence resulting in high death rates among young black men, causing both outrage and fear. This book foregrounds women's experiences and how different forms of violence overlap and reinforce one another.
The newest volume of the benchmark bibliography of Latin American studies.
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