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George Barbier (1882-1932) is one of the great French illustrators of the early twentieth century. He is famous for his elegant art deco works that were heavily influenced by orientalism and Parisian couture. Born in Nantes, France in 1882, he skyrocketed to fame and notoriety after his first exhibition in 1911. Known as one of "the knights of the bracelet" for his luxurious and glamorous lifestyle and work, George Barbier also received renown for costumes and set designs he did for theater, film, and ballet. Even today, his modern and stylish illustrations are popular all over the world.
Perhaps no individual is more associated with the 20th century art deco revival than Russian-born French artist and designer, Erté. Although his talent spanned many creative fields, Erte is perhaps best-known for his theatre and fashion designs, which were often later translated into beautiful silkscreen prints. Few can fail to be charmed by Symphony in Black, one of his most famous designs depicting a slender figure walking her dog. Throughout his lifetime Erté designed over 200 covers for Harper's Bazaar and his works have been reproduced and copied countless times since, oozing a timeless air of class and sophistication. Combining fresh and thoughtful text and beautiful illustrations, including jewellery and sculpture inspired by his two-dimensional designs, this coffee-table book is the definitive Erté companion.
The first singular study of one of the key artists of the Art Deco movement, George Barbier (1882-1932) was a fashion illustrator to the leading stylists (Poiret, Lanvin, Paquin, Vionnet) of his time, as well as a set and costume designer for the theater, Russian ballet, and music hall. Barbier's work is also noted in the world of advertising, wallpaper design, and jewelry for Cartier, in albums, as well as in almanacs and precious illustrated books. This volume, with essays by Italian and French authors, marks the rediscovery of a very successful artist of 1920s Paris who was strangely forgotten after his death in 1932.
*** 'This powerful, speaking-truth-to-power book is an essential read for everybody who wants to stop feeling clueless and helpless about the impacts of cosumerism, and start doing their part to help create a more sustainable world' - Layla Saad 'A critique on what we buy, how it's made and the systems behind it that make an unfair and broken cycle' - New York Times 'The book is a blueprint for anyone who wants to do better' - VOGUE 'SUCH integrity. Aja is no bullsh*t.' - Florence Given 'Consumed takes us through the hideously complex topic of fashion and sustainability, from its knotty colonial roots to what everyday people can do to uproot those systems, today.' - Yassmin Abdel-Magied 'An ...
As global environmental challenges mount, this book offers a policy blueprint for building a safer, sustainable and more inclusive world.
This compelling book chronicles a young boy’s journey from the horrors of Jamaican slavery to the heart of London’s literary world, and reveals the unlikely friendship that changed his life. Francis Barber, born in Jamaica, was brought to London by his owner in 1750 and became a servant in the household of the renowned Dr. Samuel Johnson. Although Barber left London for a time and served in the British navy during the Seven Years’ War, he later returned to Johnson’s employ. A fascinating reversal took place in the relationship between the two men as Johnson’s health declined and the older man came to rely more and more upon his now educated and devoted companion. When Johnson died he left the bulk of his estate to Barber, a generous (and at the time scandalous) legacy, and a testament to the depth of their friendship. There were thousands of black Britons in the eighteenth century, but few accounts of their lives exist. In uncovering Francis Barber’s story, this book not only provides insights into his life and Samuel Johnson’s but also opens a window onto London when slaves had yet to win their freedom.
"Serial meets Ruth Ware's In A Dark, Dark Wood in this ... psychological thriller about a mega-hit podcast that reopens a long-closed murder case and threatens to unravel the carefully constructed life of the victim's daughter"--
A stunning visual history of tarot Used for self-exploration or divination, tarot has, for more than 500 years, been the most popular and accessible of all esoteric tools, looming large in today’s mainstream culture. Why? Because the cards are inexpensive and easy to carry—a perfect traveling companion and, therefore, an invitation to a journey inward and out. Humans are drawn to playing games and feel driven to find meaning in the chaos of paradoxical signs. The vivid iconography of the “Arcanas” speak to us like no other language, moving us to the core, weaving through each card a universal story, a metaphorical pathway of transformation. This 400-page book presents—for the first time—a close look at 500 years of figurative card decks created or used for fortune telling, divinations, and oracle purposes, and explores, one card at the time, their iconographic roots at the crossroads of the medieval imaginarium, Western esoteric wisdom, folklore, and also contemporary art and pop culture. With hundreds of images drawn from more than 100 decks, rarely published and often forgotten in library archives, this book offers the first visual history of tarot.
A detailed evocation of Venice and the city's musical culture that inspired Vivaldi. At the time Venice was, uniquely, a city where all classes mingled in their love of music; aristocrats, gondoliers and the workers met to listen to all types of music. All that is known about Vivaldi's life is included, and all the recent discoveries that have been made about that life (as well as details from Vivaldi's contemporaries). The book captures the hedonistic atmosphere of Venice at the time, already an international tourist destination, and how that was reflected by the mysterious Vivaldi in his baroque music (which is still available in a range of recordings).