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Provides the first in-depth analysis of innovative 'reality theatre' forms using real people in performance, focusing on work arising from Germany's Hebbel-am-Ufer theatre in Berlin.
The book analyses a variety of topics and current issues in linguistics and literary studies, focusing especially on such aspects as memory, identity and cognition. Firstly, it discusses the notion of memory and the idea of reimagining, as well as coming to terms with the past. Secondly, it studies the relationship between perception, cognition and language use. It then investigates a variety of practices of language users, language learners and translators, such as the use of borrowings from hip-hop and slang. The book is intended for researchers in the fields of linguistics and literary studies, lecturers teaching undergraduate and master’s students on courses in language and literature.
"What distinguishes documentary theatre from other forms of drama? How has it integrated different media across the years, and to what effect? What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short authoritative book, Andy Lavender examines these questions and others as he surveys a century of documentary theatre and analyzes key productions, ranging from Piscator's In Spite of Everything in Berlin in 1925, through to 21st century productions providing mediations and experiences of Islam, immigration and western identity"--
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