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We Are Attempting to Survive Our Time
'Kennedy is a superb writer and the canniness of her observation keeps you reading' Sunday Times Humour, fantasy, rage and despair both help and hinder the protagonists of these stories as they navigate changing circumstances, accumulating losses, moments of comprehension and tenderness. Here is the woman, hoping for a quiet day at the zoo, who finally snaps at a white man's racist tirade and vents years of fury; the micro-celebrity who practises lines for a chat show on which he'll never appear; and the woman who walks out of her honeymoon suite at midnight, perhaps for good. Unsparing in her close examination of human relationships, A. L. Kennedy proves once again why she is regarded as one of our great storytellers. 'Kennedy dissects the small intimacies of inner thoughts... Her prose is typically direct, her sentences clear-cut and yet capable of great tenderness' Observer 'An author with a proven ability to see - truly see - and whose prose can fire like gunshots across the page' New Statesman
Now That You're Back
Exposing and exploring the sinuous undercurrents of violence, anguish and love, A.L. Kennedy examines the nature of the individual, both in isolation and society, as characters define and deny their chosen identities. While showing us the unlikeliness of intimacy and the impossibility of communication, Kennedy also reveals the subversive liberation of impotence, the humour of discomfort as human beings chafe together, the crazed claustrophobia of the family adn the wildly funny results of an eccentricity unleashed.
On Writing
After six novels, five story collections and two books of non-fiction, and countless international prizes, A.L. Kennedy certainly has the authority to talk about the craft of writing books its just a wonder she's found the time.
What Becomes
The latest book from 2008's winner of the Costa Book of the Year
All the Rage
A dozen sharp new stories by one of contemporary fiction's acknowledged masters
Day
"Five years after the end of World War II, Alfie Day, an RAF airman and former World War II POW, is given the chance to relive the glory of the war as an extra on a POW film, an opportunity that leads him to new revelations about himself, the world around him, and the challenges and violence of modern life"--NoveList.
All the Rage
The dazzling new collection from the Costa Prize-winning author of Day and The Blue Book. She doesn't ever lie to him unless it's for the best. A husband and wife wait for a train as their relationship unspools silently around them. A woman contemplates the idea of her lover dying as she queues in a bank. An almost impossibly uncomfortably lunch culminates in a passionate kiss. In this dazzling collection of stories lies the battlefield of the heart, where characters who have suffered somehow emerge - haltingly, awkwardly - into the astonishment of intimacy.
So I Am Glad
Jennifer M. Wilson has decided to become a voice. A professional enunciator, an announcer, a voice-over artist, she has retreated into a world of words. Behind the sound-proof double doors of the recording studio she must surely be safe from the painful inconveniences of hate and love. Until reality breaks in and Jennifer uncovers the harsh vocabulary of addiction and the addictive extremes of sex. -An alchemical romance, a Swiftian satire for our times, an impossible spiritual journey and a devastating plummet into insanity and perversion, So I Am Glad is oblique, incisive, hilarious and horrific.
The Blue Book
From one of the U.K.'s most dazzling authors comes a brutal and funny novel about a pair of fraudulent psychic mediums that is itself an elaborate con game between fact and fiction, life and death--a book as verbally acrobatic as it is emotionally intense.
Indelible Acts
The love story (as well as the story of love lost, obsessed over, or longed for) gets a complete and thrilling renovation at the hands of the most virtuosic literary stylist to appear in the British Isles since Jeanette Winterson. A. L. Kennedy’s men and women huddle in foreign hotel rooms, immobilized by travel-sickness and betrayal. They plan seductions on the line at a cheese shop. They’re undone by a passing embrace in the office men’s room. Their passion is so urgent and imperious that it invades the stories they tell their children. By turns chaste and ferociously sexy, funny and unbearably sad, every story in Indelible Acts is a testament to the lengths to which desire drives us. And all are marked by Kennedy’s wisdom and humanity, and language that captures the briefest tremor of the infatuated heart.
