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A Rosenberg by Any Other Name
Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a br...
Harold Rosenberg
"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenberg, radically reshaped the interpretation of art in the post-World-War-II period by promoting and examining abstract expression. But Rosenberg was also a social and literary critic-writing about art was just one aspect of his work. Harold Rosenberg: A Critic's Life weaves together Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. Rosenberg's mid-century linking of the New York School with the art establishment, together with his observations on the commodification of the artwork and the evisceration of the "self" in favor of celebrity (especially in his often-cited essay "The Herd of Independent Minds") make this book especially topical"--
The Myth of the Twentieth Century
Regarded as the second most important book to come out of Nazi Germany, Alfred Rosenberg's Der Mythus des zwanzigsten Jahrhunderts is a philosophical and political map which outlines the ideological background to the Nazi Party and maps out how that party viewed society, other races, social ordering, religion, art, aesthetics and the structure of the state. The "Mythus" to which Rosenberg (who was also editor of the Nazi Party newspaper) refers was the concept of blood, which, according to the preface, "unchains the racial world-revolution." Rosenberg's no-hold barred depiction of the history of Christianity earned it the accusation that it was anti-Christian, and that unjustified controvers...
The Human Magnet Syndrome
"Born in the cauldron of personal experience of suffering and healing and honed through years of professional experience, this book will help anyone understand the attractors of love and consequent suffering. I recommend it to couples who are mystified by the depth and repitition of their pain and joy and to therapists whose destiny is to help them." ~ Harville Hendrix, Ph.D., co-author with Helen LaKelly Hunt of Making Marriage Simple: Transform the Relationship you Have Into the Relationship you Want Since the dawn of civilization, men and women have been magnetically and irresistibly drawn together into romantic relationships, not so much by what they see, feel and think, but more by invi...
Alfred Rosenberg
Argues that Rosenberg's ideas, though irrational and frequently incomprehensible, are worthy of study since he was the official ideologue of the Nazi Party and formulated its racist and antisemitic ideology in his "Myth of the Twentieth Century" (1930). Traces the intellectual influences on Rosenberg, especially that of Houston Stewart Chamberlain. During the 1930s he tried to introduce racial definitions into the field of art and culture. Ch. 7 (pp. 103-124) examines Rosenberg's antisemitism. Ch. 12 (pp. 207-219) discusses the accusations made at the Nuremberg Trials that, as Minister for the Eastern Occupied Territories from 1941 on, he knew of and supported the liquidation of the ghettos and oversaw the operations of the SS and the Einsatzgruppen. Although he claimed not to have approved of extermination, he was found guilty and executed in October 1946.
Ethel Rosenberg
New York Times bestselling author Anne Sebba's moving biography of Ethel Rosenberg, the wife and mother whose execution for espionage-related crimes defined the Cold War and horrified the world. In June 1953, Julius and Ethel Rosenberg, a couple with two young sons, were led separately from their prison cells on Death Row and electrocuted moments apart. Both had been convicted of conspiracy to commit espionage for the Soviet Union, despite the fact that the US government was aware that the evidence against Ethel was shaky at best and based on the perjury of her own brother. This book is the first to focus on one half of that couple in more than thirty years, and much new evidence has surface...
Art on the Edge
Discusses the aesthetic orientations and creative directions of prominent contemporary artists as well as the nature and implications of the various modern movements.
Battle for the East End
Following the economic depression of the early 1930s, antisemitism, whipped up by anti-alienist and fascist agitators, became a serious threat for British Jews. However, the British Jewish establishment - the Board of Deputies, the staff of "The Jewish Chronicle", etc. - refused to believe in the viability of British antisemitism and regarded it as an export from Central Europe, alien to Britain. After 1934, the British Union of Fascists, led by Oswald Mosley, became the main promoter of aggressive antisemitism. It was the Jewish population of London's East End who led the struggle against the fascist and antisemitic danger and formed defense organizations of their own, unsupported by the Je...
Whitechapel at War
Whitechapel at War: Isaac Rosenberg and his Circle is the first book for almost 20 years to focus on the visual work of poet-painter Isaac Rosenberg. It is also the first to explore his art in the context of his Whitechapel peers, including painters David Bomberg, Mark Gertler, Jacob Kramer, Bernard Meninsky and Clare Winsten, and the writers John Rodker, Joseph Leftwich and Stephen Winsten.
