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A man awakens to discover he had been granted godlike powers. Another contemplates the universe while on the edge of committing an unthinkable act. Teenagers discover something horrific washed up on a beach and decide to conduct a terrible experiment. A Midwestern barnyard becomes a battleground when the livestock turns the tables on their owners. A retired homicide detective haunted by his only unsolved case becomes obsessed with the killer's final victim, while a troubled rock star emerges from a drug-fueled binge to discover everyone in the world seems to have disappeared. And, as anyone who has exacted it knows, revenge is a dish best served sweet. Twelve chilling tales of murder, mystique, and madness that can only come… From the Dusklands. Stories included in this collection: God or Something Like It Live Surf Eviction Worlds The Animals Flan The Word Bell and Will: True Love Never Dies An Autographed Poster of Claire Danes The Glee Sphere Reflex Arc Not Delilah
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In Bicentennial America, prominent families vie to fill the power vacuum soon anticipated to be left behind by the ailing "Granny" Adeline Gable, a matriarch who has ruled rural Ashford County for decades from her hilltop mansion, and who has long been rumored to have devious dealings with a clandestine cabal. But the longer Adeline lingers the more impatient the families get and soon plots are contrived that could speed along her demise and free up much of the land and resources she has controlled over her time in power. By forming secret alliances and weaponizing sex, deception, and even God, can the families navigate into an uncertain future or will their lust for fortune and power spell their downfall? Residents of Ashford County know its long and haunted history and they know that choosing to live within its rustic confines means playing a dark and dangerous game. Who will come out victorious? And who will lose everything, including innocence, inheritance, and everlasting love?
When family man Paul Jeske discovers an envelope in his mailbox addressed to one Lucine Korth, curiosity drives him to investigate this unique name. His research turns up images of an intensely attractive woman who lives only blocks from his home. As Paul delves further into this emergent fixation, blurring lines both legal and moral, his professional and family life suffer. Soon this game of cat-and-mouse progresses into perpetually-more perilous territory and Paul learns an astonishing truth about Lucine Korth…and that things are rarely ever as they appear. At once an examination of obsession in the digital age and the fragile nuances of modern family dynamics, When at Last I Find You asks how far would you go to obtain the unobtainable? What would you risk to satisfy your curiosity? And are you willing to make the ultimate sacrifice—family, career, sanity, and soul—to say you succeeded?
An airship. To a new country and yet another new school for twelve-year-old Emma Quinne. Her mother promises that the star-shaped, ancient Volegrim Academy is the right place for Emma. Even with its—as Emma comes to learn—hidden secrets. Like her new friends Jack and Aveline, and their secrets. But what's with Aveline's dark glasses? And Jack's big fear of Volegrim's headmistress? Then there's the language everyone speaks at Volegrim. Not the English. Not Aveline's fine French. The other language… And what did Professor Fluvius say at Assembly? Students aren't allowed to… Transform? Confused and determined, Emma learns all she can about Volegrim. Soon, she has her own run-ins with Headmistress An Long. Then the danger really grows when the trio of friends stumble upon a sinister plot against Volegrim. Emma fights to expose the plot and save her friends, but there's more she must face—a tremendous force long-buried beneath her own skin.
Trapped in a bar by the biggest snowstorm in over a century, Ben Clary will soon learn that sometimes humans are the worst monsters of all. Ben Clary is an everyday working man who caps off an afternoon of holiday shopping with a drink at his favorite watering hole. Before long, he is intoxicated, and a brutal winter storm descends. Trapped by a howling storm seems bad enough, until Ben and his fellow bar patrons find out something terrible and deadly lurks in the blizzard outside, making things far, far worse. One by one, unseen assailants pick them off until a local historian claims the attackers may be the remnants of a clan caught up in an ancient blood feud, said to have occurred at the site of the tavern. And, worse, they seem to eat human flesh. Even still, Ben soon learns the cannibal clansmen are the least of his worries—the true monsters are way more terrifying…and much closer to home.
This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this “light” creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness, as articulated by today’s most challenging and exciting writers. The best horror writers of today do the same thing...
The encyclopedia of the newspaper industry.
What if pigs really could fly . . . with bloody snouts and a taste for human flesh? Or chickens developed a murderous hive-mind? And then there is Old McDonald and his brood of demented children. This anthology approaches horror from the scenic landscape of farms. What is really in that barn? What else gets plowed? Or planted? Barnyard Horror will deliver a harvest of poetry, flash fiction, horror art and short stories not soon forgotten, even if the reader wants to!
Noted historian Christine DeLucia offers a major reconsideration of the violent seventeenth-century conflict in northeastern America known as King Philip’s War, providing an alternative to Pilgrim-centric narratives that have conventionally dominated the histories of colonial New England. DeLucia grounds her study of one of the most devastating conflicts between Native Americans and European settlers in early America in five specific places that were directly affected by the crisis, spanning the Northeast as well as the Atlantic world. She examines the war’s effects on the everyday lives and collective mentalities of the region’s diverse Native and Euro-American communities over the course of several centuries, focusing on persistent struggles over land and water, sovereignty, resistance, cultural memory, and intercultural interactions. An enlightening work that draws from oral traditions, archival traces, material and visual culture, archaeology, literature, and environmental studies, this study reassesses the nature and enduring legacies of a watershed historical event.