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Being There and the Evolution of a Screenplay
Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes subst...
Behind The Scenes
He's a famous rock star...and an irresistible Dom. She might be his submissive but she'll be damned if she's going to let him think he's better than her. Evie Lloyd was heartbroken when an injury ended her promising career as a ballet dancer. But now she's ready to step back out into the world and maybe even explore her needs as a submissive. When her best friend, Christina, invites her to the popular BDSM club Dominion, she accepts in the hope that she might find someone to give her the spanking she's been craving for so long. At Dominion Evie gets more than she bargained for when she meets Aaron Holmes, the lead guitarist of Decadence, one of the most successful rock groups in the world. A...
Statement of Disbursements of the House as Compiled by the Chief Administrative Officer from ...
Covers receipts and expenditures of appropriations and other funds.
Authoring Hal Ashby
Casting fresh light on New Hollywood – one of American cinema's most fertile eras – Authoring Hal Ashby is the first sustained argument that, rather than a period dominated by genius auteurs, New Hollywood was an era of intense collaboration producing films of multiple-authorship. Centering its discussion on the films and filmmaking practice of director Hal Ashby (Harold and Maude, Shampoo, Being There), Hunter's work demonstrates how the auteur paradigm has served not only to diminish several key films and filmmakers of the era, but also to underestimate and undervalue the key contributions to the era's films of cinematographers, editors, writers and other creative crew members. Placing...
UPSTART (WYSKOCHKA)
When the body of a Government employee from GCHQ is found in an alleyway the 'Firm' is short on manpower and Hunter is persuaded to act as Local Field Controller but he discovers it is more than a wayward employee with wild fantasies. He uncovers 'Operation Upstart' (Wyskochka) a vicious nuclear plan hatched in Russia designed to divert world attention and allow them to expand into old USSR territory under the pretext of security. With the help of the local Police Hunter is able to assemble the jigsaw of proposed devastation both in the U.K. and the U.S and with the blessing of the 'Firm' he sets out to bring an end to the evil operation and avenge the murder of one of their Agents. Mission accomplished in the UK he goes to New York and enlists the help of old U.S. Army pals where following his intuition he has no option but to diffuse a mini nuclear bomb before a journey on the Amtrak Silver Meteor finally brings to and end 'Operation Upstart' and the murderous destruction aimed at upsetting World peace.
Hunterston Happenings
Slurp! What's licking Jeffrey's face? Travel through time with Venator, the Great Hound, who represents the spirit of the Hunters as he takes eight year old Jeffrey Hunter on a historical tour of the walled garden, estate grounds and Hunterston Castle in Scotland. The tour entails over 900 years of history and takes place through a dream sequence since Jeffrey breaks his leg two days before his family is leaving for the 900th Anniversary of Hunterston Castle. His pesky girl cousin, Janet travels in his place to Hunterston, meets the Clan Laird, Madame Pauline Hunter, and takes Jeffrey's special rock to place at the Castle rock collection. Follow the dog paws Venator has left throughout the s...
The Order
In the dystopian world of "The Order" lies, betrayal, and secrets become the twisted threads weaving the tapestry of Forest Blackburn's tumultuous existence. Once a noble Untouchable, she now stands as a martyr, an unwilling symbol of defiance in a world governed by privilege and oppression. As she grapples with the impending loss of self-control and the enigmatic forces that threaten to unravel her, life spirals into a chaotic dance of power and manipulation. Forest's struggle intensifies as she endeavors to shield the Unfortunates, those who once bowed at her feet, from the encroaching darkness orchestrated by the leaders of her society. The impending shadows of those in control loom ever ...
Official Congressional Directory 115th Congress, 2017-2018, Convened January 2017
Contains biographies of Senators, members of Congress, and the Judiciary within the years 2017-2018. Also includes committee assignments, maps of Congressional districts, a directory of officials of executive agencies, addresses, telephone and fax numbers, web addresses, and other information. This essential reference resource contains: Comprehensive List of Member names with full color photos Each member biographical data information Member office locations, phone and fax numbers Member email addresses, where available Member offices by zip code deliveries assigned by the main Post Office Information about Impeachment Proceedings Statistical Information for votes cast for senators, representatives, resident commissioner, and delegates in 2012, 2014, and 2016 And more Related products: Government Forms and Directories resources collection can be found here: https://bookstore.gpo.gov/catalog/government-forms-phone-directories
Polly Platt
This book examines the career and creative labour of production designer Polly Platt. It focuses mainly on her contributions to 1970s Hollywood, but also considers her later work. Considering films such as The Last Picture Show, Paper Moon, The Bad News Bears, and The Witches of Eastwick, it argues that Platt’s construction of their visual palette and mise-en-scène was so creative and so comprehensive that it can be considered authorial. Chapters discuss Platt’s life and its influence on her work, her attention to detail, her role in location decisions and costume design, and her use of colour. An epilogue discusses her later career as a producer and her mentorship to young filmmakers like Cameron Crowe and Wes Anderson. This is the first full-length examination of the career of one of the women practitioners whose work was so important to 1970s cinema, and provides an alternative methodology to the auteur-driven framing that so regularly defines the era.
