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In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines the very recent work of nine major contemporary French and Francophone writers : Yves Bonnefoy, Jacqueline Risset, Salah Stétié, Vénus Khoury-Ghata, Tahar Ben Jelloun, André Velter, Marie-Claire Bancquart, Jean-Claude Pinson and Jacques Dupin. The issue of writing’s complex relation to the experience of the earth is of central pertinence, involving questions of dreaming, voice, figurativity, emotion, desire, revolt, metaphysics, meaning, poiein and being. Discussion entails close reading of works as well as broad contextualisation and a sensitivity to interrelevancies from writer to writer. Bishop’s book is intended as a companion to his 2014 Dystopie et poïein, agnose et reconnaissance. Seize études sur la poésie française et francophone contemporaine.
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Praised for his independence, curiosity, intimate knowledge of French literature, and sharp reader's eye, John Taylor is a writer-critic who is naturally skeptical of literary fashions, overnight reputations, and readymade academic categories. Here he examines various genres of politically committed literature (such as Jean Hatzfeld's "narratives" about Rwanda or Tchicaya U Tam'si's verse), some overlooked fiction, and several provocative experiments with literary form (ranging from the poetry of Jean-Paul Michel and Marie etienne to the "three-line novels" of Felix Feneon).Taylor continues to reveal the remarkable resourcefulness of French writing. Besides drawing attention to authors (like...
In Jacques Réda: Being There, Almost, Aaron Prevots studies the work of this major contemporary French writer since the 1950s—poetry, novels, literary essays, short prose, jazz histories. He particularly examines Réda’s explorations of place, including how the ‘world’s energy’ becomes the ideal dancing partner, poetry incarnate in one’s arms. Réda embodies ‘being there, almost’ because he wanders with great wisdom yet renounces any glory in this metaphorical dance. He aligns us with the outer world’s rhythms and time’s passage. Fleeting waves of perception create a voluptuous, unified whole. In considering the arc of Réda’s works from 1952-2015, Aaron Prevots locates a progression from post-Baudelairean flânerie to commemoration of childhood, classical antiquity, fellow writers, jazz, physics, swing, theology, and trains.
John Taylor's brilliant new book examines the work of many of the major poets who have deeply marked modern and contemporary European literature. Venturing far and wide from the France in which he has lived since the late 1970s, the polyglot writer-critic not only delves into the more widely translated literatures of Italy, Greece, Germany, and Austria, but also discovers impressive and overlooked work in Slovenia, Bosnia, Hungary, Finland, Norway, and the Netherlands in this book that ranges over nearly all of Europe, including Russia.While providing this stimulating and far-ranging critical panorama, Taylor brings to light key themes of European writing: the depth of everyday life, the que...
This book challenges prevailing models of the ways formerly enslaved individuals in Ancient Rome navigated their social and economic landscape. Drawing on the rich epigraphic evidence left behind by municipal freedmen and freedwomen, who had been owned and manumitted by the communities of Roman Italy, it pushes back against ameliorating views of slavery as a temporary condition and positive notions of a prosperous and consciously proud Roman freedman class. Manumission was a far more complex process, and it did not always put former slaves and their descendants on the straight and narrow path of upward mobility.
The field of memory studies has long been preoccupied with the manner in which events from the past are commemorated, forgotten, re-fashioned, or worked through on both the individual and collective level. Yet in an age when various modes of artistic and cultural commemoration have begun to overlap with and respond to one another, the dynamics of cultural remembering and forgetting become bound up in an increasingly elaborate network of representations that operate both within and outside temporal, cultural, and national borders. As publicly circulating texts that straddle the line between cultural artifact and artistic object, both musical and literary works, both individually and often in ...
Dans Esther Tellermann: Énigme, prière, identité, première monographie consacrée à l’œuvre de l’écrivain, Aaron Prevots met en lumière un regard poétique novateur sur des réalités tant intérieures qu’extérieures. Il montre comment Tellermann (1947-) explore l’intime du monde, ses textures et ses contours, ses terres insituables semblant s’entrecroiser, et le rêve et le mythe faits tremplin pour une traversée renouvelée de l’Histoire et du deuil. Il appréhende le caractère énigmatique de longues suites de chants dont la forme peut s’apparenter à celle de la prière, ainsi que les enjeux identitaires d’un dire singulièrement ouvert à l’Autre. En examina...
Drawing on new research and sources, The Mahalia Jackson Reader brings a fresh perspective to the remarkable life of one of America's most notable gospel singers. The volume also shows, through the lens of Jackson's work, a uniquely illuminating view of the black gospel field.