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Death and the King’s Grey Hair and Other Plays is a collection of three plays, ‘Death and the King’s Grey Hair,’ ‘Truce with the Devil,’ and ‘Fringe Benefits,’ which are all experimental plays from the early period of the writing career of Denja Abdullahi, who is presently renowned as a poet of populist expressions. ‘Death and the King’s Grey Hair’ examines the use and misuse of absolute power based on an ancient Jukun myth of young kings and short reigns. ‘Truce with the Devil’ is a satire on the later abandonment of the creed of Marxism by its adherents, a kind of mockery of turncoat revolutionaries in the grip of practical social realities. ‘Fringe Benefits’, a radio play, is an expose of the happening in Nigeria’s ivory towers, seen from the eyes of a participant-observer.
Forgetfulness is one of the Maladies of Lucifer. When he was priest of angels, he forgot to pray to God to protect him from deviating from the straight path. It is written in the Laws of God: Be sure we shall test you with something of fear and Lucifer was most afraid of Adam in his clay form. When finally God commanded the angels Let each one that holds Me for his Lord straightway do reverence to this earth many that loves God bowed themselves but Lucifer with them that were of his mind disobeyed. They said: O Lord, we are spirit and therefore it is not just that we should do reverence to this clay. That was the day Lucifer fell from grace to grass. If he had remembered that he had just fai...
This volume brings together a range of views and arguments that healthily contribute to global conversations on media, culture and conflict in Africa. It explores how cultural practices, media practices, social movements, and the possibilities of emerging technologies could be ventilated and directed towards remediating the perilous state of affairs in political, social, and economic spaces in contemporary Africa. As the intersection of culture and conflict is relatively underexplored or under-researched in African media studies, this book makes an important contribution to the field.
In this collection, Nigerian poet Tanure Ojaide adopts the persona of a homeboy griot returning from travels to be confronted by the devastation wrought by oil greed, politics, and technology upon his beloved Niger Delta; its environment, civilisation and people. It becomes a tragedy of corruption, suffering and dispossession in sharp contrast to the eco-sensitive animism of his youth. Angry, elegiac and lyrical, this collection allows the reader insight far beyond the reach of journalism or prose.
“If in the past the Sahara divided us, now it unites us,” Kwame Nkrumah declared more than half a century ago. Keenly aware of Africa’s many artificial divides, Nkrumah was determined to lead a revolution that would bridge them. One way to achieve this goal, Nkrumah proposed, was a continental pan-African government, which would provide the African people with the opportunity to pool and marshal their enormous real and potential economic, human and natural resources for the optimal development of their continent. A continental union government, Nkrumah was convinced, would ensure that Africa ended the divisions created by the trilogy of the enslavement, colonization and neo-colonizatio...
In Fate and Faith Tunde Adeniran the polemicist celebrated nature, people and the omnipotence of god. There are striking images of a society in need of restoration. Adeniran writes with passion and sometimes with anger but not without the subtlety of a patriotic poet concerned about the future of his people.
Bernth Lindfors, Ira Aldridge: The Last Years, 1855-1867 -- Paul Schauert, Staging Ghana: Artistry & nationalism in state dance ensembles -- Maëline Le Lay, 'La parole construit le pays': Théâtre, langues et didactisme au Katanga (République Démocratique du Congo) -- Benita Brown, Dannabang Kuwabong & Christopher Olsen, Myth Performance in the African Diasporas: Ritual, theater, and dance -- S.A. Kafewo, T.J. Iorapuu & E.S. Dandaura (eds), Theatre Unbound: Reflections on Theatre for Development and Social Change - A festschrift in honour of Oga Steve Abah -- Hakeem Bello, The Interpreters: Ritual, Violence and Social Regeneration in the Writing of Wole Soyinka -- Five plays: Ekpe Inyang, The Swamps -- Augustine Brempong, The King's Wages -- Denja Abdullahi, Death and the King's Grey Hair and Other Plays -- Books received and noted
With unspeakable tenderness and palpable trepidation, Nigerian poet Obi Nwakanma captures the universal experience of childbirth. From his earlier collection The Horsemen and Other Poems, Nwakanma has become a “sojourner from a tangled past traveling to an uncertain future”, trying to root, shape and steel his unborn child to a world filled with graphic horror and indescribable wonder. Along the way he meets his muse, the sixteenth century mystical Indian poet Mirabai, and recites Elizabeth Bishop over tea. Thematically, Bithcry is intimate, lyrical and unrestrained while retaining a measured, coherent and precise form.
Marsh Boy and other Poems is a welcome contribution to the tradition of poetry devoted to the revolutionary struggles of the people of the oil-rich Niger Delta region of Nigeria. The poems celebrate the radical spirit of the oppressed and exploited people in their relentless quest for equity, equality, and justice. They are songs of anguish, revenge, defiance, love and patriotism.