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Like Criticism, Translation Is Always A Text About A Text And Hence It Is A Metatext. We Translate By Intuition. There Is No Science Of Translating Though There Are Scientific Theories Of Translation. In This Book, The Author Has Made A Thorough Analysis Of Various Aspects Of Translation Studies Both In The East And The West. Apart From Making A Background Study Of Translation, He Has Analysed Translation As Creative Writing, As Linguistic Bridge-Building And As Nation Building. The Author Has Devoted A Chapter Each To The Important Subjects: Theory And Practice Of Translation: The Indian Context, Comparative Literature And Translation Studies: A Correlation, The Role Of The Translator, A Critique Of Translation Theories And Above All, The Place Of Translation In The Twenty-First Century In The Global Context. This Is An Incisive And Well Researched Book On Translation Studies In Our Country.
Linking the study of business and politics, Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting—but also in limiting—press freedom and literary property.
For those unfamiliar with the many divisions within Judaism at that time or with Jewish life in other parts of the Roman Empire, this book offers an excellent introduction to a little-studied time period. Readers of Jewish history will definitely want to add this work to their shelves.—Rabbi Rachel Esserman, Reporter Exploring the world of the Second Temple period (539 BCE–70 CE), in particular the vastly diverse stories, commentaries, and other documents written by Jews during the last three centuries of this period, Malka Z. Simkovich takes us to Jerusalem, Alexandria, and Antioch, to the Jewish sectarians and the Roman-Jewish historian Josephus, to the Cairo genizah, and to the ancien...
Howard D. Weinbrot's Aspects of Samuel Johnson: Essays on His Arts, Mind, Afterlife, and Politics collects earlier and new essays on Johnson's varied achievements in lexicography, poetry, narrative, and prose style. It considers Johnson's uses of the general and the particular as they relate to the reader's role in the creative process, his complex approach to the concept of literary genre, and his resolutely in-human view of skepticism.