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“A lively survey…her research and insights make us conscious of how we, today, use books.”—John Sutherland, The New York Times Book Review Two centuries before the advent of radio, television, and motion pictures, books were a cherished form of popular entertainment and an integral component of domestic social life. In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the eighteenth century, offering new perspectives on how books have been used by their readers, and the part they have played in middle-class homes and families. Drawing on marginalia, letters and diaries, library catalogues, elocution manuals, subscription lists, and more, Williams offers fresh and fascinating insights into reading, performance, and the history of middle-class home life. “Williams’s charming pageant of anecdotes…conjures a world strikingly different from our own but surprisingly similar in many ways, a time when reading was on the rise and whole worlds sprang up around it.”—TheWashington Post
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In the preface to his edition of Shakespeare, Alexander Pope noted that his age was one of Parties, both in Wit and State. Much scholarship has been devoted to the complexities of the political parties of the eighteenth century, but there has been a surprising reluctance to explore what Pope implied were the corollaries of those parties, namely, parties in literature. The essays collected here explore the literary culture that arose from and supported what Pitt the Elder referred to as the great spirit of Whiggism that animated English politics during the eighteenth century. From the prehistory of Whiggism in the court of Charles II to the fractures opened up within it by the French Revolution in the 1790s, the interactions between Whiggish politics and literature are sampled and described in groundbreaking essays that range widely across the fields of eighteenth-century political prose, poetry, and the novel.
Robert Williams and his wife, Elizabeth Stratton (d. 1674), had at least four sons, 1632-1640 or after. They immigrated to America ca. 1638 and settled at Roxbury, Massachusetts. He died in 1693. Descendants listed lived in Massachusetts, New York, and elsewhere.
Rhyming text and illustrations celebrate the joys of family as parents welcome their new baby home, introducing him to the place where he will grow up.
How eighteenth-century literature depended on misinterpretation—and how this still shapes the way we read Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history—and its own important role to play—in understanding how, why and what we read. Focussing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells h...
In recent years there has been an explosion of interest in the production of nanoscale fibres for drug delivery and tissue engineering. Nanofibres in Drug Delivery aims to outline to new researchers in the field the utility of nanofibres in drug delivery, and to explain to them how to prepare fibres in the laboratory. The book begins with a brief discussion of the main concepts in pharmaceutical science. The authors then introduce the key techniques that can be used for fibre production and explain briefly the theory behind them. They discuss the experimental implementation of fibre production, starting with the simplest possible set-up and then moving on to consider more complex arrangements. As they do so, they offer advice from their own experience of fibre production, and use examples from current literature to show how each particular type of fibre can be applied to drug delivery. They also consider how fibre production could be moved beyond the research laboratory into industry, discussing regulatory and scale-up aspects.
Salem Story engages the story of the Salem witch trials by contrasting an analysis of the surviving primary documentation with the way events of 1692 have been mythologised by our culture. Resisting the temptation to explain the Salem witch trials in the context of an inclusive theoretical framework, the book examines a variety of individual motives that converged to precipitate the witch-hunt. Of the many assumptions about the Salem witch trials, the most persistent is that they were instigated by a circle of hysterical girls. Through an analysis of what actually happened - by perusal of the primary materials with the 'close reading' approach of a literary critic - a different picture emerges, one where 'hysteria' inappropriately describes the logical, rational strategies of accusation and confession followed by the accusers, males and females alike.
In this tale of New England witchery, it is ten years after the harrowing and tragic events of the Salem witch trials. Abigail Williams—the lead accuser who sent twenty people to their doom as a young girl—now lives under an assumed name on the outskirts of Boston, quietly striving to atone for her sins. When a handsome stranger arrives claiming to be a sailor in need, Abigail takes him in, and long-dormant passions awaken within her. Love starts to grow between the two—an unlikely flower cracking through salty earth. But their contentment is short-lived, for someone else is coming for Abigail, someone who has been looking for her since she danced in the weird woods of Salem. The Devil is demanding Abigail's soul, and a debt will be paid—but first, Abigail must make peace with the woman she most wronged…
The Witchcraft Delusion of 1692 is such an interesting resource because it was published nearly 200 years after the Salem Witch Trials, and thus it reflects the radically changed attitudes toward the Trials over that time.