You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Foot and mouth disease (FMD) is currently regarded as one of the world's worst animal plagues. But how did this label become attached to a curable disease that poses little threat to human health? And why, in the epidemic of 2001, did the government's control strategy still rely upon Victorian trade restrictions and mass slaughter? This groundbreaking and well-researched book shows that, for over a century, FMD has brought fear, tragedy and sorrow- damaging businesses and affecting international relations. Yet these effects were neither inevitable nor caused by FMD itself but were, rather, the product of the legislation used to control it, and in this sense FMD is a 'manufactured' plague rather than a natural one. A Manufactured Plague turns the spotlight on this process of manufacture, revealing a rich history beset by controversy, in which party politics, class relations, veterinary ambitions, agricultural practices, the priorities of farming and the meat trade, fears for national security and scientific progress all made FMD what it is today.
The dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, a...
Pieces of the Musical World: Sounds and Cultures is a fieldwork-based ethnomusicology textbook that introduces a series of musical worlds each through a single "piece." It focuses on a musical sound or object that provides a springboard from which to tell a story about a particular geographic region, introducing key aspects of the cultures in which it is embedded, contexts of performance, the musicians who create or perform it, the journeys it has travelled, and its changing meanings. A collaborative venture by staff and research ethnomusicologists associated with the Department of Music at SOAS, University of London, Pieces of the Musical World is organized thematically. Three broad themes:...
This volume is an invaluable portrait of family, kinship, regional and national dynamics in the Tudor and early Stuart period. Based on letters and papers that Cassandra Willoughby found in the family library, her Account focuses on the women of the family, and offers insight into sixteenth-century family dynamics, gentry culture and court connections.
This is the basic genealogical dictionary of early New England settlers, giving the name of every settler who arrived in New England before 1692 regardless of their station, rank, or fortune. Alphabetically arranged for each it gives the dates of his marriage and death, dates of birth, marriage and death of his children, and birthdates and names of the grandchildren. According to the author, "nineteen twentieths of the people of these New England colonies in 1775 were descendants of those found here in 1692, and probably seven-eighths of them were offspring of the settlers before 1642."
Reprint of the original, first published in 1860.
None
None