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The Complete Poetry
This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision—perhaps the only one in the canon of Spanish-language literature—in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.
José Carlos Mariátegui
This volume explores the life, work, and impact of the Peruvian thinker José Carlos Mariátegui (1894–1930), particularly his political biography, his intellectual production, and his critique of Eurocentrism. This posthumous fame is based on the idea that, in the whole of his political-theoretical project, the relationship between Latin America and Marxism was not built using a mechanical linking of effects and causes, of the blatant copy of the theory produced in Europe, of the immediate application of positivist formulas. In this complex relationship, enigmatic and insinuating, a dissonant historical temporality emerged in Latin America. The apparently unbalanced temporalities marked the matrix of capitalist exploitation, but also present, in Mariátegui’s view, glimmers of future possibilities. This book is essential reading for scholars of social sciences and history interested in understanding the historical roots and political dilemmas of Latin American and European societies from the unique perspective of one of the greatest thinkers of the twentieth century.
Voces, 1917-1920
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The Cambridge History of Latin America
This volume looks at Latin American history from c. 1870 to 1930.
Historical Dictionary of Latin American Literature and Theater
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history. The introduction provides a review of Latin Ame...
Poetry in Pieces
Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian poet César Vallejo (1892–1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings—Peru and Paris—which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo’s writings with cultural, historical, and theoretical analysis, connecting Vallejo—and Latin American poetry—to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. Poetry in Pieces sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.
The Cambridge History of Latin American Literature
Volume 1 of a comprehensive three-volume history of Latin American literature (including Brazilian): the only work of its kind.
Breaking Traditions
It was during the exciting modernist movement in Spanish American literature that Clemente Plama (1872-1946), son of Ricardo Palma, began his writing career and signaled the birth of modern Peruvian literature. This volume offers detailed critical analyses of Palma's short stories and novels.
American Contact
A Hawai’ian quilt stitched with anti-imperial messages; a Jesuit report that captures the last words of a Wendat leader; an invitation to a ball, repurposed by enslaved people in colonial Antigua; a book of poetry printed in a Peruvian penitentiary. Countless material texts—legible artifacts—resulted from the diverse intercultural encounters that characterize the history of the Americas. American Contact explores the dynamics of intercultural encounters through the medium of material texts. The forty-eight short chapters present biographies about objects that range in size from four miles long to seven by ten centimeters; date from millennia in the past to the 2000s; and originate from...
