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The emergence of large regions within Russia as centres of gravity for political and international power, and the changing relationship between these emerging regions and the centre are critically important factors currently at work within Russia. This book examines the whole question of Russian regions and regionalism. It considers important themes related to regionalism, including demography, security, military themes and international relations, and looks at a wide range of particular regions as case studies. It discusses the extent to which regions have succeeded in establishing themselves as centres of power, and assesses the degree to which President Putin is succeeding in incorporating regions into a hierarchy of power in which the primacy of the centre is retained.
This collection of original essays provides a rare in-depth look at peasant life in nineteenth- and early twentieth-century European Russia. It is the first English-language text to deal extensively with peasant women and patriarchy; the role of magic, healing, and medicine in village life; communal economic innovation; rural poverty and labor migration from the village perspective; the agricultural hiring market as workers' turf; and the regional components of the late nineteenth-century agrarian crisis. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Centering its study around three explanatory variables - actors, institutions and ideas - this book argues that Russia's hybrid institutional environment reduces the competition of policy ideas, both at the stage of policy elaboration by the community of state and non-state policy experts, and also at the stage of policy adoption by parliament.
This latest and final report in the Kremlin Playbook series explores how the United States and its European allies can protect the religious beliefs and values of their citizens from malign influence at a time when transatlantic societies are grappling with the speed of societal change. Societal anxiety and fear related to these rapid economic, demographic, and generational shifts—and the subsequent politics and political figures that seek to capitalize on them—have fueled societal divisions around the so-called cultural wars in Western societies. Through two main channels, the Orthodox world and the traditional values ecosystem, the Kremlin has taken advantage of these fears to accentuate societal wedges in Europe and Eurasia.
Women and Migration in Contemporary Italian Cinema: Screening Hospitality puts gender at the centre of cinematic representations of contemporary transnational Italian identities. It offers an intersectional feminist analysis of the ways in which transnational migration has been represented, understood, and constructed in the contemporary cinema of Italy. Drawing on Jacques Derrida’s notion of hospitality and in dialogue with postcolonial and decolonial theory, queer studies, and feminist critiques, the six chapters of the book focus on a series of exemplary fiction films from the last twenty years, which both reflect and shape the nation’s responses to the growing presence of transnation...
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Provides a new framework for reconceptualizing the historical and contemporary relationship between cultural diversity, political authority, and international order.
Stop reading about Stanislavsky and wondering what it's all supposed to mean. Meet the master and his disciples as they evolve new techniques and exercises in a workshop atmosphere over a quarter of a century.
First published in 1946. In this study of Russian theatre, the author explores the developments of drama and the theatre throughout the nineteenth-century. Macleod examines imperial and serf theatres, the impact of Russian drama on the east and west, and the regeneration of theatre at the start of the twentieth-century. This title will be of great interest to students of Theatre Studies and Russian History.