You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A debut collection that welcomes a new modernist aesthetic for the twenty-first century. Aswirl with waking dreams and phantom memories, The Late Parade is a triumph of poetic imagination. To write about one thing, you must first write about another. In Adam Fitzgerald's debut collection, readers discover forty-eight poems that yoke together tones playful and elegiac, nostalgic and absurd. Fitzgerald's shape-shifting inspirations "beckon us to join an urban promenade" (McLane) with a multiplicity of chimerical stops: from the unreal cities of Dubai to the former Soviet Union, from Nigerian spammers and the Virgin Mary to Dr. Johnson and Cat Power. "The glory of this volume is the long title ...
A groundbreaking collection from one of our most acclaimed young poets about personal loss and consumer anxiety in the American suburbs. In the wake of the critical success of The Late Parade (“poetry as lush as any of Keats’s odes,” New York Times Book Review), Adam Fitzgerald’s George Washington follows in the documentary poetics tradition of William Carlos Williams’s In the American Grain and Susan Howe’s My Emily Dickinson. These frenetic poems channel the proper names and product placement in the suburban New Jersey memescape of the 1990s. Fitzgerald’s catalogs—a world of video games and love songs, entertainment franchises and widespread anomie—seek out the proxies by which millions now live their most intimate experiences, examining everything from sexuality and faith to the spectacles of shopping and mass shootings. The poet’s memory may prove as fungible as the once-ubiquitous VHS cassette, but these queer poems form a hypertext archive of life as it’s packaged and purveyed. Fitzgerald’s “primal vision” (Harold Bloom), so wildly alive in The Late Parade, metamorphoses into an exhilarating exploration of Americana’s dark origins.
Composer-performer Michael Harren’s multi-media performance The Animal Show blends humor with candor to convey the importance of keeping all animals safe from harm. Through stories, music, and video from his residency at Tamerlaine Farm Animal Sanctuary, The Animal Show takes the audience on a ride that will inspire us to think differently about our relationships with all kinds of animals. The Animal Book contains the entire text of the show along with performance photos, video stills, and stories of the show’s tour and Harren’s activism on the road.
A beautifully illustrated version of the original 1925 edition of F. Scott Fitzgerald's classic Great American novel. Widely considered to be the greatest American novel of all time, The Great Gatsby is the story of the wealthy, quixotic Jay Gatsby and his obsessive love for debutante Daisy Buchanan. It is also a cautionary tale of the American Dream in all its exuberance, decadence, hedonism, and passion. First published in 1925 by Charles Scribner's Sons, The Great Gatsby sold modestly and received mixed reviews from literary critics of the time. Upon his death in 1940, Fitzgerald believed the book to be a failure, but a year later, as the U.S. was in the grips of the Second World War, an ...
Tyler Trenton is the product of a childhood devastated by abuse and neglect. While fighting the battle between good and evil, child and demon, he finds solace in a god named Elzba. Tyler believes that he can achieve the status of a god by doing the bidding of the she-god. Then things turn tragic, and the teenaged Tyler is faced with the feelings of losing friends in a tragic car accident, followed by the abandonment of Elzba. These actions send the young mans world spiraling out of control. Years pass, and as Tyler becomes an adult, he also becomes an expert at killing and disappearing. He leaves a trail of bodies and baffles the police with the pen name he has given himself: I Am. One day, things get even stranger for the man, and he falls in love. Although he keeps his life a secret, there are things about the young woman that he knows nothing about. Their strange relationship is tested when family gets involved and an unwanted friend from the past begins to come after the mans new lover. Tragedy will befall them, but who will die and who will live?
The Booker Prize-winning author’s final short story collection “shows her at the top of her form…exquisite”—with an introduction by A.S. Byatt (The Guardian, UK). Penelope Fitzgerald was one of the United Kingdom’s most highly-regarded contemporary authors. Her last novel, ‘The Blue Flower’, was the book of its year, garnering extraordinary acclaim around the world. This posthumous collection of her short stories, originally published in anthologies and newspapers, shows Penelope Fitzgerald at her very best. From the tale of a young boy in 17th-century England who loses a precious keepsake and finds it frozen in a puddle of ice, to that of a group of buffoonish amateur Victorian painters on a trip to Brittany, these stories are characteristically wide ranging, enigmatic—and very funny. Each one is a miniature study of human behavior’s endless absurdity.
Intellectual history is viewed in this book as a series of "great conversations"—dramatic dialogues in which a culture's spokesmen wrestle with the leading questions of their times. In nineteenth-century America the great argument centered about De Crèvecoeur's "new man," the American, an innocent Adam in a bright new world dissociating himself from the historic past. Mr. Lewis reveals this vital preoccupation as a pervasive, transforming ingredient of the American mind, illuminating history and theology as well as art, shaping the consciousness of lesser thinkers as fully as it shaped the giants of the age. He traces the Adamic theme in the writings of Emerson, Thoreau, Hawthorne, Melville, Henry James, and others, and in an Epilogue he exposes their continuing spirit in the works of F. Scott Fitzgerald, William Faulkner, Ralph Ellison, J. D. Salinger, and Saul Bellow.
With examples from a variety of contexts, this book provides a linguistic analysis of the role of silence in language.
This monograph examines the rhetorical nature and function of representations of the future in political discourse, focusing on political actors use of hegemonic images of future reality to achieve their political goals. It argues that a key ideological dimension of political rhetoric lies in politicians use of projections of the future to legitimate policies and actions. This argument is grounded in systemic-functional and critical discourse analyses of the Bush Doctrine, the U.S. policy response to the September 11 terrorist attacks which sanctioned a preemptive military posture. By focusing on the discursive construction of the future, this project addresses a lacunae in critical discourse studies and calls attention to the crucial role that the discourse and practice of futurology has played in post-Cold War politics and society. It will be of value to scholars interested in the discourses of politics, the war on terror, U.S. national security, and futurology."
Lawrence Venuti is one of the most important theorists in translation studies and his work has helped shape the development of this vibrant field. Translation Changes Everything brings together thirteen of his most significant articles.