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Boomerang
Jacob Mead was an infant when he was adopted off an Orphan Train by Jess and Evangeline Mead in 1890. Jess Mead had been cruel to his son, cruel to his wife and cruel to himself. Now, 17 years later, the old Civil War vetran, was dead, it was a new Century, and Jacob was finally free. Free? To do what, to go where? Jacob's mother urged him to go East and look for his brothers and his sister. Could they be found? The clues were scant, the trail was cold but the results of the eventual search stunning. Neil Browning and Randy Alsman also had plans for Jacob. He could go straight to hell just as long as they got his stepfather's money.
Write a Western in 30 Days
Nik Morton has been writing for over forty years, honing his craft. He writes genre fiction, whether that s science fiction, horror, crime, thriller, romance or westerns. To date he has 15 books under several pseudonyms. His westerns are usually written under the name Ross Morton. Within these pages you can discover how to write a western from the initial ideas, through the preparation and research, to those all-important character studies and plots. And you can do it in 30 days! ,
Bombshells
"Little gems, as observant as anything in Alan Bennett's Talking Heads."--Guardian
Jascha Heifetz
Notoriously reticent about his early years, violinist Jascha Heifetz famously reduced the story of his childhood to "Born in Russia. First lessons at 3. Debut in Russia at 7. Debut in Carnegie Hall at 17. That's all there is to say." Tracing his little-known upbringing, Jascha Heifetz: Early Years in Russia uncovers the events and experiences that shaped one of the modern era's most unique talents and enigmatic personalities. Using previously unstudied archival materials and interviews with family and friends, this biography explores Heifetz's meteoric rise in the Russian music world—from his first violin lessons with his father, to his studies at the St. Petersburg Conservatory with the well-known pedagogue Leopold Auer, to his tours throughout Russia and Europe. Spotlighting Auer's close-knit circle of musicians, Galina Kopytova underscores the lives of artists in Russia's "Silver Age"—an explosion of artistic activity amid the rapid social and political changes of the early 20th century.
