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This critically acclaimed work brings us a new selection of poignant essays by master photographer Robert Adams. In this volume, Adams evinces his firm belief in the importance of art. Photographers "may or may not make a living by photography," he writes, "but they are alive by it."
One of the clearest presentations of India's Advaita Vedanta, the doctrine of Oneness. Adams, an American student of the great master, Ramana Maharshi, discourses with wisdom and delightful humor as he clarifies for Westerners India's teaching of Ultimate Reality.
The road has been a central motif in the work of Robert Adams (born 1937) since the beginnings of his life as a photographer in the late 1960s. 27 Roads is the first publication to focus on this important aspect of his work, and is comprised of the artist's concise, poetic selection of images spanning almost five decades. Whether fast concrete highways, quiet cuts through dark forests, paved commercial strips or dusty tracks on a clear-cut mountainside, Adams' roads function as metaphors for solitude, connection or freedom. Adams writes, "Roads can still be beautiful. Occasionally they appear like a perfect knife slicing through a perfect apple, the better to show that two halves are one." Robert Adams has been the recipient of Guggenheim and MacArthur Foundation fellowships, the Deutsche Börse Photography Prize and the Hasselblad Foundation International Award. His work was the subject of a major retrospective organized by the Yale University Art Gallery, which toured internationally from 2011 to 2014.
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Originally published in 1974, this book is now regarded as a classic book of photography in the pantheon of landmark projects exploring American culture and society.
Now in its third printing, Beauty In Photography is updated on the occasion of a major retrospective exhibition. Illustrated.
Every year, Robert Adams prepares a series of five reviews of contemporary novels, to be delivered alone on a theatre stage to sold-out audiences in Toronto and Montreal. In A Love of Reading Adams has now gathered 18 of his most brilliant reviews, from Jack Maggs by Peter Carey and The Poisonwood Bible by Barbara Kingsolver, to A Fine Balance by Rohinton Mistry and Barney’s Version by Mordecai Richler. In them he skillfully interweaves a nimble and entertaining discussion of plot, theme, and characterization with fascinating historical, biographical, and literary context. He is repeatedly drawn to the spectacle of less-than-perfect humans making their way in a hostile world, and as a resu...
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Hell Week has never been described so effectively. Six days in Hell define every SEAL that moves past the point of no return in their minds. Robert Adams, MD brings the experiences of his classmates into view with real, difficult to believe experiences, described in frightening detail by the men that lived through the frigid cold, filthy muddy days, and body destroying events of a winter Hell Week. Eleven of seventy men went on to graduate and serve over 40 years in almost every SEAL or UDT team with honor. Read their real time story and learn why these eleven men succeeded when so many others failed. Colonel Robert Adams, MD, MBA served fourteen years in the Navy (12 as a SEAL) and eighteen years in the Army. He changed services to attend medical school, and applies his analytical skill to look back at the men that shivered and struggled through Hell Week together. He brings decades of insight learned caring for others to an insightful analysis of why the men of his BUD/S class 81 achieved the improbable.
A collection of inspiring essays by the photographer Robert Adams, who advocates the meaningfulness of art in a disillusioned society In Art Can Help, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that "encourages us to gratitude and engagement, and is of both personal and civic consequence." Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest of this compilation contains texts--more than ...