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Museums and the Working Class is the first book to take an intersectional and international approach to the issues of economic diversity and class within the field of museum studies. Bringing together 16 contributors from eight countries, this book has emerged from the significant global dialogue concerning museums’ obligation to be inclusive, participate in meaningful engagement and advocate for social change. As part of the push for museums to be more accessible and inclusive, museums have been challenged to critically examine their power relationships and how these are played out in what they collect, whose stories they exhibit and who is made to feel welcome in their halls. This volume...
Goodna Girls tells the story of children incarcerated in Wolston Park Hospital, an adult psychiatric facility in Queensland, Australia. It contains the personal testimonies of women who relate—in their own no-holds-barred style and often with irreverent humour—how they, as children, ended up in Wolston Park and how this affected their adult lives. The accounts of hospital staff who witnessed the effects of this heinous policy and spoke out are also included. The book examines the consequences of the Queensland Government’s manipulation of a medical model to respond to ‘juvenile delinquents’, many of whom were simply vulnerable children absconding from abusive conditions. As Austral...
Museums and Social Change explores the ways museums can work in collaboration with marginalised groups to work for social change and, in so doing, rethink the museum. Drawing on the first-hand experiences of museum practitioners and their partners around the world, the volume demonstrates the impact of a shared commitment to collaborative, reflective practice. Including analytical discussion from practitioners in their collegial work with women, the homeless, survivors of institutionalised child abuse and people with disabilities, the book draws attention to the significant contributions of small, specialist museums in bringing about social change. It is here, the book argues, that the new m...
Economic and political uncertainty has brought the language of class – especially discussion of the working class – to a broad audience across scholarship and social debate. This introductory volume shows how the history of the working class has, is, and can be researched, written, and represented. The book is structured in three parts: perspective, context, and application. Each offers an introduction to both classic historiography and new ideas and methodologies. With chapters covering a span of the years c.1750–present, the book focuses on three essential questions: What is working-class history and what should it become? What can a focus on working-class history reveal? What are the possibilities of this research in the university classroom, the heritage world, and beyond? Doing Working-Class History will appeal to students and scholars of working-class history, whether relative newcomers to the field or veteran researchers interested in new approaches and material. It will also be of interest to local and family historians, museum and heritage professionals, and general readers.
Private detective Jonah McEwen is wanted for murder. Someone has been killing women who resemble Marylin Blaylock, his former colleague and ex-lover. The latest grisly discovery is right on his doorstep. He is the obvious suspect. The problem? He has been in a coma for three years - a coma he has no memory of entering. And there's worse to come. Using matter transporter technology, or "d-mat," a serial killer know only as the Twinmaker has been brutally torturing and killing perfect facsimiles of his victims and leaving the originals alive. As legal arguments rage about whether this even constitutes murder, Jonah finds himself in the awkward position of defending his innocence when his own e...
With respect to public issues, history matters. With the worldwide interest for historical issues related with gender, religion, race, nation, and identity, public history is becoming the strongest branch of academic history. This volume brings together the contributions from historians of education about their engagement with public history, ranging from musealisation and alternative ways of exhibiting to new ways of storytelling.
As an art form that is utterly dependent on its own spatiality, theatre has a major contribution to make to contemporary debates about space and place. In this book, Australian academics explore the nexus between place and performance in practices ranging from mainstream theatre to site specific performance.
Bread and Roses is an Australian first, a collection of stories from academics who identify as coming from working-class backgrounds. At once inspiring and challenging, the collection demonstrates how individual narratives are both personal and structural, in that they illustrate the ways in which social forces shape individual lives. Central themes in the book are generational changes in university education provision in Australia, the complexities of coming from a working class background and being female, or coming from a working class background and being female and a recent migrant, and the particular challenges facing students and staff from rural and regional areas. An essential read for anyone interested in widening participation programs in higher education, including administrators, academics, past and present students, Bread and Roses is both a map for those who want to undertake a similar journey and a community for those who want to join.
Museum Representations of Motherhood and the Maternal is the first book to address the underrepresentation of motherhood in museums. Questioning how mothering and maternal experiences should be represented in museums, Louise-Clarke argues that such institutions wield the power to influence what we think about families, mothers and the labour of care. Using the term ‘mothering’ to encompass lived experiences of mothering or caring that are not exclusively tied to sex, gender, or the maternal body, Louise-Clarke explores the ways that experiences of mothering can be represented in museums. The book begins this exploration with Australia’s Museums Victoria (MV), then expands to look at in...
Joan Sutherland’s debut, the notorious Petrov Commission, a rumoured ghost and rowdy public meetings give Canberra’s Albert Hall a history like no other. Albert Hall – the simple, elegant building at the heart of our national capital – was Canberra’s only performing arts centre for its first 40 years. The venue for weekly dances, art exhibitions, and tours by the Royal Ballet and the Australian Ballet, Albert Hall has also hosted citizenship ceremonies and important national occasions. This beautifully illustrated book shares the history of this Canberra landmark for the first time.