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הגדה של פסה
This user-friendly family Haggadah is perfect for those of any background. Featuring the full Hebrew text, together with an easy-to-read translation and transliteration, the Haggadah adds meaningful commentary, stories, questions for discussion, fun holiday parody songs, jokes, Seder recipes, and activities to delight both adults and children. When you use this Haggadah, your guests will be so engaged that they will forget to ask When do we eat? Why the need for a new Haggadah? In some families, a Haggadah distributed by a leading coffee company might suffice. For others, further insight and explanation of the text is needed to make the Passover story come alive. This Haggadah has been designed to: Foster a deeper connection to Passover to enable participants from all backgrounds, from generation to generation, to be comfortable using a Hebrew or transliterated text, together with an inclusive English translation. Provide a user-friendly format with suggestions for preparing for Passover and internalizing its messages afterwards. Show the central role played by women in the Passover story. Spark discussion and sharing of insights, teachings, anecdotes, and stories
שערי שמחה
None
Kaddish
When Allen Ginsberg famously began his idiosyncratic eulogy of his mother by asking the reader to imagine him “up all night, talking, talking, talking, reading the Kaddish aloud, listening to Ray Charles,” he did not pause to explain what exactly this thing called Kaddish was or why he would have been reading it aloud in his mother’s memory. Nor did he need to: there is no Jewish prayer better known to the non-Jewish world than Kaddish, and the concept of saying Kaddish “for” someone has entered the American lexicon of cultural phrases known to all and used freely without the need to translate or explain. Neither Imre Kertesz’s Kaddish for an Unborn Child nor Leon Wieseltier’s 1998 bestseller Kaddish provides a translation or explanation on the dustjacket, for example, the assumption being that anyone cultured enough to want to read either book—and surely not only Jewish readers—would know what the word means and what its use as the title implies about the book’s content. Nor did Leonard Bernstein seem to feel the need for any explanation when he named his third symphony “Kaddish,” and left it at that.
A Jewish Ceremony for Newborn Girls
Formulates a framework for the development of Jewish rituals for newborn girls
Tikkun Olam
This is the second book of the anticipated 10-volume Mesorah Matrix series and is called: Tikun Olam; Repair/Perfect the World: Judaism, Humanism and Transcendence. Mesorah Matrix is a major - and potentially landmark - intellectual-spiritual-philosophical endeavor. The plan well-underway is to publish 10 separate books - each on a very focused Jewish theme - under the Mesorah Matrix umbrella.
Bioethics Yearbook
As the field of bioethics has matured, increasing attention is being paid to how bioethical issues are treated in different moral and religious traditions and in different regions of the world. It is often difficult, however, to obtain timely information about these matters. The Bioethics Yearbook series analyzes how such issues as new reproductive techniques, abortion, maternal-fetal conflicts, care of seriously ill newborns, consent, confidentiality, equitable access, cost-containment, withholding and withdrawing treatment, euthanasia, the definition of death, and organ transplantation are being discussed in different religions and regions. Volume 5 discusses theological developments from 1992 to 1994 in Anglican, Baptist, Catholic, Hindu, Jehovah's Witness, Jewish, Latter-Day Saint, Lutheran, Methodist, Muslim, Pentecostal, and Presbyterian traditions.
Maimonides' Essential Teachings on Jewish Faith and Ethics
No Jewish thinker has had a more significant impact on Jewish religious thought than Moses Maimonides. In this examination of Maimonides's theological and philosophical teachings, Rabbi Marc D. Angel opens up for us Maimonides's views on the nature of God, providence, prophecy, free will, human nature, repentance, and more.
Havdalah
In its famous opening chapter, the Hebrew Bible describes creation as consisting of twin acts of making and separating: God creates light on the first day and then separates it from the darkness, just as on the next day God creates the firmament and then sets it in place to separate the waters above from the waters below. And so it follows, at least in theory, that when human beings seek to create through the medium of their own artistry, creativity, or industry—and are obviously unable to mimic the uniquely divine act of creation ex nihilo—they seek to do so through the one part of the process they can imitate: separation. Indeed, the famous quip that the correct way to make a statue of a horse is to take a huge block of marble and then to chip away the parts that don’t look like a horse is just an amusing way of suggesting the same idea: namely, that the human creative process involves the perception of something embedded within something else and then the subsequent liberation of that thing from its former setting so that it may exist on its own and in its own right.
Bioethics Yearbook
As the field of bioethics has matured, increasing attention is being paid to how bioethical issues are treated in different moral and religious traditions and in different regions of the world. It is often difficult, however, to obtain timely information about these matters. The Bioethics Yearbook series analyzes how such issues as new reproductive techniques, abortion, maternal-fetal conflicts, care of seriously ill newborns, consent, confidentiality, equitable access, cost-containment, withholding and withdrawing treatment, euthanasia, the definition of death, and organ transplantation are being discussed in different religions and regions. Volume 5 discusses theological developments from 1992 to 1994 in Anglican, Baptist, Catholic, Hindu, Jehovah's Witness, Jewish, Latter-Day Saint, Lutheran, Methodist, Muslim, Pentecostal, and Presbyterian traditions.
The Emergence of Early Yiddish Literature
Cover -- Contents -- Preface -- Acknowledgments -- Abbreviations -- 1. Introduction -- 2. "Whither Am I to Go?": Old Yiddish Love Song in a European Context -- 3. (Non- )Intersecting Parallel Lives: Pasquino in Rome and on the Rialto -- 4. Purim Play as Political Action in Diasporic Europe and/as Ancient Persia -- 5. Vashti and Political Revolution: Gender Politics in a Topsy-Turvy World -- 6. The Political Liminality of Mordecai in Early Ashkenaz -- 7. Feudal Bridal Quest Turned on Its Jewish Head -- 8. The Other of Another Other: Yiddish Epic's Discarded Muslim Enemy -- 9. Conclusion -- Appendix: Elia Levita's Short Poems (English translation) -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Y
