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Modern Sudanese Poetry
Spanning more than six decades of Sudan's post-independence history, this collection features work by some of Sudan's most renowned modern poets, largely unknown in the United States. Adil Babikir's extensive introduction provides a conceptual framework to help the English reader understand the cultural context. Translated from Arabic, the collection addresses a wide range of themes--identity, love, politics, Sufism, patriotism, war, and philosophy--capturing the evolution of Sudan's modern history and cultural intersections. Modern Sudanese Poetry features voices as diverse as the country's ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan's poetry scene as well as the country's modern history and post-independence trajectory.
The Beauty Hunters
The Beauty Hunters offers a rare insight into Sudanese Bedouin poetry, its evolution, aesthetics, and impact. Through an in-depth profile of al-Ḥārdallo, the doyen of this art form, Adil Babikir explores the attributes that established him as a poet of international stature. The life of al-Ḥārdallo was a series of journeys in pursuit of beauty. From wandering across the Buṭāna wilderness to his adventures with women, he documented the ups and downs of his life using superb verse. In addition to its aesthetic value, al-Ḥārdallo’s poetry offers rich material for Sudanese studies as it carries glimpses of the sociopolitical developments in Sudan during his lifetime, having lived through three distinct eras: Turco-Egyptian rule (1820–1885), Mahdist rule (1885–1898), and part of the Anglo-Egyptian era (1898–1956). Reading Bedouin poetry in a hybrid context, as a major contributor to what Babikir calls a uniquely Sudanese aesthetic taste, The Beauty Hunters makes an invaluable addition to the discourse on Sudan’s cultural identity.
Mansi
Tayeb Salih is internationally known for his classic novel Season of Migration to the North. With humour, wit and erudite poetic insights, Salih shows another side in this affectionate memoir of his exuberant and irrepressible friend Mansi Yousif Bastawrous, sometimes known as Michael Joseph and sometimes as Ahmed Mansi Yousif. Playing Hardy to Salih's Laurel Mansi takes centre stage among memorable 20th-century arts and political figures, including Samuel Beckett, Margot Fonteyn, Omar Sharif, Arnold Toynbee, Richard Crossman and even the Queen, but always with Salih's poet "Master" al-Mutanabbi ready with an adroit comment. "Mansi casts fresh light on the experiences and attitudes of a key generation of emigré and exiled Arab writers, thinkers and activists in the West" - Boyd Tonkin
The Beauty Hunters
The Beauty Hunters offers a rare insight into Sudanese Bedouin poetry, its evolution, aesthetics, and impact. Through an in-depth profile of al-Ḥārdallo, the doyen of this art form, Adil Babikir explores the attributes that established him as a poet of international stature. The life of al-Ḥārdallo was a series of journeys in pursuit of beauty. From wandering across the Buṭāna wilderness to his adventures with women, he documented the ups and downs of his life using superb verse. In addition to its aesthetic value, al-Ḥārdallo's poetry offers rich material for Sudanese studies as it carries glimpses of the sociopolitical developments in Sudan during his lifetime, having lived through three distinct eras: Turco-Egyptian rule (1820-1885), Mahdist rule (1885-1898), and part of the Anglo-Egyptian era (1898-1956). Reading Bedouin poetry in a hybrid context, as a major contributor to what Babikir calls a uniquely Sudanese aesthetic taste, The Beauty Hunters makes an invaluable addition to the discourse on Sudan's cultural identity.
The Jungo: Stakes of the Earth
A complex, realist novel that offers fascinating insights into the daily lives and complex humanity of the marginalised people of Sudan - a classic, failed postcolonial nation state. It explores - in almost ethnographic detail - the complexities of modern Sudanese society; The Jungo is the masterpiece of contemporary Sudanese literature.
Literary Sudans
This anthology of literatures from Sudan and South Sudan will one day be appreciated as essential to our understanding of these people's rich history. The carefully selected array of texts offers a rare glimpse into contemporary fiction writings by mixed of established and new Sudanese talents. The translation is lucid and poetic, and kept with the spirit of the original texts. The introductory text by the Sudanese literary giant Taban Lo Liyong, and the afterword by the editor Bhakti Shringarpure, provided the much-needed context for appreciating such innovative works.
Mine Mine Mine
Mine Mine Mine is a personal narration of Uhuru Portia Phalafala's family's experience of the migrant labor system brought on by the gold mining industry in Johannesburg, South Africa. Using geopoetics to map geopolitics, Phalafala follows the death of her grandfather during a historic juncture in 2018, when a silicosis class action lawsuit against the mining industry in South Africa was settled in favor of the miners. Phalafala ties the catastrophic effects of gold mining on the miners and the environment in Johannesburg to the destruction of Black lives, the institution of the Black family, and Black sociality. Her epic poem addresses racial capitalism, bringing together histories of the transatlantic and trans-Indian slave trades, of plantation economies, and of mining and prison-industrial complexes. As inheritor of the migrant labor lineage, she uses her experience to explore how Black women carry intergenerational trauma of racial capitalism in their bodies and intersects the personal and national, continental and diasporic narration of this history within a critical race framework.
Breaking the Silence
Breaking the Silence is the first comprehensive collection of literature from Liberia since before the nation's independence. Patricia Jabbeh Wesley has gathered work from the 1800s to the present, including poets and emerging young writers exploring contemporary literary traditions with African and African diaspora poetry that transcends borders. In this collection, Liberia's founding settlers wrestle with their identity as African free slaves in the homeland from which their ancestors were captured, and writers of the early twentieth and twenty-first centuries find themselves navigating a landscape at odds with itself. From poets of Liberia's past to young writers of the present, the contributors to this volume celebrate the beauty of their nation while mourning the devastation of a long, bloody civil war.
Loving the Dying
Loving the Dying is a collection of poems on life's different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person's life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey's poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying. As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.
