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Michael Jackson
An illustrated photo book featuring an interview with the "King of Pop."
Derry
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The Nature of the Book
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned prime...
Irish Socialist Republicanism, 1909-36
"'This book is a fresh and exciting look at Irish radicalism in the early twentieth century, which puts the labour movement at the centre of socialist agitation and adds immensely to our understanding of the era', Brian Hanley, Institute of Irish Studies, University of Liverpool, co-author of The lost revolution: the story of the Official IRA and the Workers' Party (2009). 'Grant's book takes a fresh and stimulating approach to the politics of the labour movement and republicanism in early twentieth-century Ireland. A useful, provocative and engaging study, it should be read by all those with an interest in the history of social radicalism on this island', Fintan Lane, author of The origins ...
Piracy
Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader im...
Dear Boy: The Life of Keith Moon
Keith Moon was more than just rock's greatest drummer, he was also its greatest character and wildest party animal. Fuelled by vast quantities of drink, drugs, insecurities and confusion, Moon destroyed everything with gleeful abandon: drum kits, houses, cars, hotels, relationships and, finally, himself. In Dear Boy, Tony Fletcher has captured lightning in a bottle – the essence of a totally incorrigible yet uniquely generous boy who never grew up, and who changed the lives of all who knew him. From a life distorted by myths of debauchery and comic anarchy, Fletcher has created a searingly personal portrait of the rock legend. From over 100 first-hand interviews, he traces with deadly accu...
Adrian Mole and the Weapons of Mass Destruction
Adrian Mole is thirty-four and three quarters, almost officially middle-aged, when Mr Blair tells Parliament that weapons of mass destruction can be deployed in forty-five minutes and can reach Cyprus. Adrian is worried that he might not get a refund on his holiday. But that?s not all that is bothering him. There?s his odd girlfriend Marigold who has become distressingly New Age. And his son Glenn who is in Deepcut Barracks. Would Mr Blair have been quite so keen if it had been his son manning a roadblock?
The Gododdin
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
British and Irish Art 1945-1951
Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.
