Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"Tape's Rolling, Take One"
Adrian Kerridge was part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection - now widely employe...
Tape's Rolling Take One
Adrian Kerridge has been part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry has put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection – now wid...
RA The Book Vol 1
RA:The Book - The Recording Architecture Book of Studio Design was first published as a single, hardcover volume in 2011 and which has sold in over fifty countries to critical acclaim. A necessarily large format dictated by the detailed drawings it contained, RA:The Book was unavoidably heavy and costly to produce and ship. This iBook version is the first of three stand alone volumes which will hopefully make this essential guide to recording studio design more accessible. It includes a new introduction with previously unavailable photographs. The following description is for the original hardcover: Established by Roger D'Arcy and Hugh Flynn on April 1st 1987 Recording Architecture has risen...
Sixties British Pop, Outside in
"Itchycoo Park, 1964-1970-the second volume of Sixties British Pop, Outside In- explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. British songwriters, musicians, and production crews explored form, sound, and subject matter as western society grappled with racism, sexism, war, revolution, and migration in a postcolonial world. As these creators and curators of popular culture combined interests in jazz, folk, blues, Indian ragas, and western classical music, they created sophisticated hybrid forms that redefined pop music. Based on extensive research and drawing on vintage and original interviews, Sixties British Pop, Outside In contextualizes the world of the Beatles through King Crimson in the frameworks of the postwar surge in births that created the Bulge Generation in the UK (and Baby Boomers in America), emergent technologies, English behavior, and the places and spaces in which people created and consumed pop music"--
Please Please Me
The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
RA The Book Vol 2
Volume 1 of this three part series focuses on private and in-house studios and Recording Architecture's built output from 1987 to 1996 with technical chapters covering work stages A to D (including details of sound isolation and acoustic treatment). This second volume concentrates on commercial recording studios (including case studies of the legendary Lansdowne, CTS, Maison Rouge and Konk), mastering and cutting rooms and the years 1997 to 2002 together with work stages E to H (including electrical power and ventilation/air conditioning). Together, the three eBooks cover the entire contents of the hard back edition of RA:The Book but they have been edited and compiled to work as stand-alone...
RA The Book Vol 3
Volumes 1 and 2 of this three part series focus on private, in house and commercial recording studios, mastering and cutting rooms and Recording Architecture's built output from 1987 to 2002 with technical chapters covering work stages A to H (including details of sound isolation, acoustic treatment, electrical power and ventilation/air conditioning). This third and final volume concentrates on post production studios (including film mix theatres), educational facilities (including research) and the years 2003 to 2010 together with work stages J to M (including technical furniture and audio monitor accommodation). Together, the three eBooks cover the entire contents of the hard back edition ...
Where Have All the Good Times Gone?
Louis Barfe's elegantly written, authoritative and highly entertaining history charts the meteoric rise and slow decline of the popular recording industry. Barfe shows how the 1920s and 1930s saw the departure of Edison from the phonograph business he created and the birth of EMI and CBS. In the years after the war, these companies, and the buccaneers, hucksters, impresarios and con-men who ran them, reaped stupendous commercial benefits with the arrival of Elvis Presley, who changed popular music (and sales of popular music) overnight. After Presley came the Beatles, when the recording industry became global and record sales reached all time highs. Where Have All The Good Times Gone? also charts the decline from that high-point a generation ago. The 1990s ushered in a period of profound crisis and uncertainty in the industry, encapsulated in one word: Napster. Barfe shows how the almost infinite amounts of free music available online have traumatic and disastrous consequences for an industry that has become cautious and undynamic.
The Great British Recording Studios
(Book). The Great British Recording Studios tells the story of the iconic British facilities where many of the most important recordings of all time were made. The first comprehensive account of British recording studios ever published, it was written with the cooperation of the British APRS (Association of Professional Recording Services, headed by Sir George Martin) to document the history of the major British studios of the 1960s and 1970s and to help preserve their legacy. The book surveys the era's most significant British studios (including Abbey Road, Olympic, and Trident), with complete descriptions of each studio's physical facilities and layout, along with listings of equipment and...
Sixties British Pop, Outside in
Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including vintage and original interviews, Thompson presents sixties British pop, not as lists of discrete people and events, but as an interwoven story.
