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What does it mean for rigorous thought about God to be guided by prayer? What do Ignatius of Loyola's Spiritual Exercises teach us about discernment? How can that discernment become a spiritual discipline which guides our choices throughout life? How can that discipline guide the theological choices we all make, including those of academic theologians? This book moves beyond the abstract notion that theology should be prayerful to bring theology together with a particular spiritual practice. It argues that the Spiritual Exercises are a system of prayerful discernment which already provide for reason to be used alongside an openness to all experience and all the ways that we can be guided by ...
This volume explores the influence of students' background on educational outcomes, ways of contextualising school performance, and current issues and developments in school effectiveness research. Also investigated is how the research contributes to understanding of school and classroom processes.
Philip Kariatlis is a lecturer of theology at St Andrew's Greek Orthodox Theological College, Sydney, Australia. In 2010 he received his doctorate in Ecclesiology from the Sydney College of Divinity. His research interests lie in Church doctrine, specifically its existential and salvific significance. He translated the doctoral dissertation of Archbishop Stylianos (Harkianakis) entitled The Infallibility of the Church in Orthodox Theology (2008). He is a member of the Faith and Unity Commission of the National Council of Churches in Australia.
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"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
Includes annual report of its council (1941-48, in pt. 1).
The extensive paintings of William Aiken Walker illustrate life in the late 1800s to the early 1900s, when cotton reigned. As a Southerner born to an Irish Protestant father and a South Carolinian mother, Walker grew up with a profound respect for the often-misunderstood cotton field worker. His painterly expressions document cultural and social conditions of the time, offering respect for the people themselves.
How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."