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The Pacific Arts of Polynesia and Micronesia
With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.
Holophusicon--the Leverian Museum
The Holophusicon (&‘embracing all of nature') or Leverian Museum was the world's first popular museum of science, curiosity and art&—going back to 1771. Its contents included the largest collection of Cook-voyage specimens and objects ever exhibited in one place, in addition to sculptured heads from the Cave of Elephanta in India, Oliver Cromwell's armor, the Turkish clothing and guns of Edward Wortly Montague, birds, fossils, and minerals. After occupying a beautiful mansion in Leicester Square, London, the collection was put up for lottery and moved to Blackfriars Bridge. In 1806 the contents were sold at auction in some 7000 lots, bought by more than 140 purchasers. This book tells the remarkable story of this extraordinary collection and follows these important objects through numerous hands to public and private collections around the world, including museums in Vienna, Berlin, London, Cambridge, Liverpool, Exeter, Honolulu, Sydney, Wellington, Christchurch, and the United States. -- Publisher's plurb.
Oceanic Art
A documentary section about the principal cultural groups of the region provides an essential reference. An excellent map adds further value.
Perspectives in Motion
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
"Artificial Curiosities"
Catalogue of exhibition with biographical notes on Cook and discussion of the influence of Cooks voyages on natural history, geography, navigation, literature, art, ethnography; includes description of Australian artifacts exhibited.
Dance in the Field
This international collection on dance ethnography - the first of its kind - comprises original contributions on fieldwork in dance and human movement. Based on extensive fieldwork experience, it explores the major theoretical approaches, methods and concerns of dance and movement research from anthropological and ethnochoreological perspectives. The result underlines the existing and continuing growth in dance ethnography which will also be of interest to those in dance studies, anthropology, cultural studies, folklore, ethnomusicology and sociology.
Exhibiting Dilemmas
In twelve essays on such diverse Smithsonian Institution holdings as the Hope Diamond, the Wright Flyer, wooden Zuni carvings, and the Greensboro, North Carolina Woolworth lunch counter that became a symbol of the Civil Rights movement, Exhibiting Dilemmas explores a wide range of social, political, and ethical questions faced by museum curators in their roles as custodians of culture. Focusing on the challenges posed by the transformation of exhibitions from object-driven “cabinets of curiosities” to idea-driven sources of education and entertainment, the contributors—all Smithsonian staff members—provide a lively and sometimes provocative discussion of the increasingly complex enterprise of acquiring and displaying objects in a museum setting.
The Iconic Tattooed Man of Easter Island
-Reveals the heretofore unknown identity of this 19th-century Easter Island (Rapa Nui) man, and the secrets hidden in his impressive tattoos -Body art reveals amazing insights into Easter Island history An impressively tattooed but unnamed Easter Island (Rapa Nui) man appears often in the pages of Pacific Island histories and museum catalogs. The Swedish ethnographer Dr. Knut Hjalmar Stolpe knew him only as Tepano, the Tahitian version of the Christian name Stephen. But what was his real Rapanui identity, and what can his life story tell us about the history of Easter Island? This book reveals his identity, who illustrated him, and how he transcended the tragic events of 19th-century Rapa Nu...
Royal Hawaiian Featherwork
Painstakingly constructed by hand of plant fiber and precious feathers from endemic birds of Hawai‘i, feather cloaks and capes provided spiritual protection to Hawaiian chiefs for centuries while proclaiming their royal status. Few of the artworks known as nā hulu ali‘i, or royal feathers, survive today except in museums and private collections. Through photographs and scholarly essays, Royal Hawaiian Featherwork highlights approximately seventy-five rare examples of the finest featherwork capes and cloaks (‘ahu‘ula) extant, as well as royal staffs of feathers (kāhili), feather lei (lei hulu manu), helmets (mahiole), feathered god images (akua hulu manu), and related eighteenth- an...
