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Originally published in 1979. Adultery is a dominant feature in chivalric literature; it becomes a major concern in Shakespeare's last plays; and it forms the central plot of novels from Anna Karenina to Couples. Tony Tanner proposes that transgressions of the marriage contract take on a special significance in the "bourgeois novels" of the eighteenth and nineteenth centuries. His interpretation begins with the general topic of adultery in literature and then zeroes in on three works—Rousseau's La Nouvelle Héloïse, Goethe's Die Wahlverwandtschaften, and Flaubert's Madame Bovary. His interpretation encompasses the role of women, the structure of the family, social mores, and the history of sexuality.
In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. K...
This 2002 book provides a major survey of representations of adultery in later seventeenth- and early eighteenth-century England. Bringing together a wide variety of literary and legal sources - including sermons, pamphlets, plays, diaries, periodicals, trial reports and the records of marital litigation - it documents a growing diversity in perceptions of marital infidelity in this period, against the backdrop of an explosion in print culture and a decline in the judicial regulation of sexual immorality. In general terms the book charts and explains a gradual transformation of ideas about extra-marital sex, whereby the powerfully established religious argument that adultery was universally a sin became increasingly open to challenge. The book charts significant developments in the idiom in which sexually transgressive behaviour was discussed, showing how evolving ideas of civility and social refinement and new thinking about gender difference influenced assessments of immoral behaviour.
‘Who is Rich? Is a tantalizing novel – acute and smart and stark, but mostly it’s unrelentingly funny about a large number of very inappropriate things. It’s one of those rare books: you open it, then you’re up all night. I was‘ Richard Ford
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Cheated on…Battered by emotion…You don't know where to turn. You feel betrayed, devastated, embarrassed, angry, and completely heartbroken. You ask yourself, "How can I stop infidelity from ruining my life?" "How do I cope with this nightmare? You don't realize there is a roadmap that explains what you are going through. That roadmap is Cheating in a Nutshell. Knowledge is Power and Understanding is Liberating. Whatever shade of infidelity you're dealing with, it is powerfully painful – and the feelings that come with it are hardly ever simple. Understanding your pain will change your way of thinking almost immediately. This book is for you if: --You just learned your partner cheated o...
Dangerous Liaisons is a 1988 American period romantic drama film directed by Stephen Frears from a screenplay by Christopher Hampton, based on his play Les liaisons dangereuses, which was itself adapted from the 18th-century French novel of the same name by Pierre Choderlos de Laclos. It stars Glenn Close, John Malkovich, Michelle Pfeiffer, Swoosie Kurtz, Mildred Natwick, Peter Capaldi, Keanu Reeves and Uma Thurman. Dangerous Liaisons was released theatrically on December 16, 1988, by Warner Bros. It received generally positive reviews from critics with praise for Close and 's and Pfeiffer and 's performances and the screenplay, production values and costumes. Although it was a moderate commercial success grossing $34.7 million against its $14 million budget, it was cited as a box office disappointment. The film received seven nominations at the 61st Academy Awards, including for Best Picture and won three: Best Adapted Screenplay, Best Costume Design, and Best Production Design.
In her first new work in a decade, Adrienne Kennedy journeys into Georgia and New York City in the 1940s to lay bare the devastating effects of segregation and its aftermath. The story of a doomed interracial love affair unfolds through fragmented pieces--letters, recollections from family members, songs from the time--to present a multifaceted view of our cultural history that resists simple interpretation. This volume also includes Etta and Ella on the Upper West Side and Mom, How Did You Meet The Beatles?
The thought-provoking new novel from the international bestselling author whose words change lives. Linda knows she's lucky. Yet every morning when she opens her eyes to a so-called new day, she feels like closing them again. Her friends recommend medication. But Linda wants to feel more, not less. And so she embarks on an adventure as unexpected as it is daring, and which reawakens a side of her that she - respectable wife, loving mother, ambitious journalist - thought had disappeared. Even she can't predict what will happen next...