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The Alphabet in the Park
Poetry that eloquently concentrates on the spiritual and physical lives of women.
Ex-Voto
"Adélia Prado's most recent collection of poems, once more in Ellen Doré Watson's superbly energetic and natural English, is nothing like any poetry I know in our present moment. Her humor, her dancing solidity, her joy in being alive -- I think back to Chaucer, and the poems of Grace Paley. Prado is similarly voluble, playful, down to earth, and cheerful; and she seems to have an uncannily easy-going, even merry relationship with God and all his family. She has given us a perfectly crystalline ex-voto."--Jean Valentine. Ex-Voto is the second collection of Prado's poetry translated by Ellen Doré Watson. Their previous collaborative volume, The Alphabet in the Park: Selected Poems (Wesleyan University Press, 1990), was abundantly praised: "The life captured in Prado's poems is convulsive: from a dark corner of despair she can rocket to pure joy in one line... This is poetry at its hottest and most naked..."--James Tate
The Mystical Rose
Adelia Prado was "discovered" she was nearly 40 by Brazil's foremost modern poet, Carlos Drummond de Andrade, who was astonished to read her 'phenomenal' poems, launching her literary career with his announcement that St Francis was dictating verses to a housewife in the provincial backwater of Minas Gerais. Psychiatrists in droves made the pilgrimage to Divinopolis to delve into the psyche of this devout Catholic who wrote startlingly pungent poems of and from the body; they were politely served coffee and sent back to the city. After publishing her first collection, Baggage, in 1976, she went on to become one of Brazil's best-loved poets, awarded the Griffin Lifetime Achievement Award in 2...
It's the Soul That's Erotic
In this revised and expanded version of an essay that originally served as an introduction to Ex Voto: Poems of Adelia Prado (Tupelo Press, 2014), renowned poet and translator Ilya Kaminsky examines the embodied religious devotion and mysticism of one of Brazil¿s greatest poets. The chapbook also includes an uncollected Prado translation by Ellen Dore Watson.
The Headlong Heart
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The Alphabet in the Park
Poetry that eloquently concentrates on the spiritual and physical lives of women. This is the first book published in English by of the work of Brazilian poet Adélia Prado. Incorporating poems published over the past fifteen years, The Alphabet in the Park is a book of passion and intelligence, wit and instinct. These are poems about human concerns, especially those of women, about living in one’s body and out of it, about the physical but also the spiritual and the imaginative life. Prado also writes about ordinary matters; she insists that the human experience is both mystical and carnal. To Prado these are not contradictory: “It’s the soul that’s erotic,” she writes. As Ellen Watson says in her introduction, &;ldquo;Adélia Prados poetry is a poetry of abundance. These poems overflow with the humble, grand, various stuff of daily life—necklaces, bicycles, fish; saints and prostitutes and presidents; innumerable chickens and musical instruments. And, seemingly at every turn, there is food.” But also, an abundance of dark things, cancer, death, greed. These are poems of appetite, all kinds.
Ten Poems to Open Your Heart
Ten Poems to Open Your Heart is a book devoted to love: to the intimacy of personal love and lovemaking, to a loving compassion for others, and to the love that embraces both this world and the next. This new volume from Roger Housden features a few of the same poets as his extraordinarily moving Ten Poems to Change Your Life, such as Mary Oliver and Pablo Neruda, along with contributions from Sharon Olds, Wislawa Szymborska, Czeslaw Milosz, Denise Levertov, and others. Any one of the ten poems and, indeed, any one of Housden’s reflections on them, can open, gladden, or pierce your heart. Through the voices of these ten inspiring poets, and through illustrations from his own life, Housden ...
Adélia Prado
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Dancing Theology in Fetish Boots
Marcella Althaus-Reid was one of the most fascinating and controversial theologians of the twentieth and early twenty-first century. Her strong personality and her iconoclastic work inspired a whole generation of theologians in the UK and worldwide. Marcella's creative life was cut short by her death from cancer in 2009. Yet she lives on, not least in those who have been inspired by her work and continue to engage with it. "Dancing Theology in Fetish Boots" draws together a number of world-class scholars and others who engage with the main themes of Marcella's work and show how the critical and controversial conversations which Marcella has begun can and do continue. It is therefore far more than a Festschrift, but a celebration of an intellectual life Marcella-style.
My Poets
A thrillingly original exploration of a life lived under poetry's uniquely seductive spell "Oh! there are spirits of the air," wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. "I am marking here what most marked me," she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the "growth of a poet's mind," as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an "erotics of interpretation": this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your "my poets," or "my novelists," or "my filmmakers," or "my pop stars," might be.
