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La moral és pública i cultural. No hi ha moral privada. Qualsevol cultura, en un moment determinat de la seva història, té uns «marcs normatius», això és, una sèrie de principis, lleis, costums, hàbits, valors. que organitzen els comportaments dels seus ciutadans en les seves vides quotidianes. L'educació, en aquest cas, té la funció de transmetre la moral a les noves generacions. Tanmateix, els autors d'aquest llibre creuen que l'ètica no és la moral. A diferència d'aquesta, l'ètica és la resposta a la demanda del rostre de l'altre, una resposta que se situa en els marges de la moral, en els límits del bé i del mal.
La moral es pública y cultural. No hay moral privada. Toda cultura, en un momento determinado de su historia, posee unos "marcos normativos", esto es, una serie de principios, leyes, costumbres, hábitos, valores... que organizan los comportamientos de sus ciudadanos en sus vidas cotidianas. La educación, en este caso, tiene la función de transmitir la moral a las nuevas generaciones. Sin embargo, los autores de este libro creen que la ética no es la moral. A diferencia de ésta, la ética es la respuesta a la demanda del rostro del otro, una respuesta que se sitúa en los márgenes de la moral, en los límites del bien y el mal.
This book sets out the psychological basis of musical development in children and adults. The study has two major objectives: to review the research findings, theories and methodologies relevant to the developmental study of music; and to offer a framework within which these can be organised so as to pave the way for future research. It describes the relationship between thinking and music, and discusses the relationship between thinking and music in pre-schoolers and schoolchildren in areas such as singing, aesthetic appreciation, rhythmic and melodic development, and the acquisition of harmony and tonality. The book describes the development of musical taste, and discusses the questions of musical creativity, and of the social psychology of musical taste and fashion. As a comprehensive study of the links between developmental psychology and music education, Hargreaves' work demonstrates the practical and theoretical importance of psychological research on the process underlying children's musical perception, cognition and performance.
Ramon Muntaner's account of the bloody adventures of the Almogaver army under Roger of Flor in the eastern Mediterranean in the early fourteenth century, one of the most spellbinding narratives of medieval European literature. Before its definitive fall into Turkish hands, the Byzantine Empire was the target of adventurers of many nations. Outstanding among these groups was the Almogaver army led by Roger of Flor, composed of mercenaries hardened in thewar between the Catalan and Angevin dynasties for domination of Sicily. The Catalan presence in Constantinople aroused suspicion among the Greek nobility who assassinated Roger of Flor and tried to exterminate his men. The devastating reaction...
Jamaica: a sensual paradise where the sun, sea and sand are free but anything more comes at a price. Welcome to the 21st century where women travel across the world in search of sex, love, and liberation but the reality is that hard cash equals hard men. Toned torsos and slick sweet talk meets orange peel beneath the coconut trees in an exchange that leaves everyone short-changed. Sugar Mummies is a funny, provocative and revealing study of the pleasures and pitfulls of female sex tourism. It was a huge success at the Royal Court Theatre in August 2006, and proceeded to tour throughout the UK.
This book explores some of the major processes involved in the definition of school subject knowledge. Using historical ethnographic methods, the contributors to the collection highlight and examine some of the factors involved at national, institutional and classroom levels in the making of school subjects. The first section of the book outlines the theoretical and methodological basis for the study off school subjects, and the reasons for and the possibilities of such a study are considered. In the second section some histories of school curricula are presented from a variety of settings – colonial schools in Africa, working-class schools of the nineteenth century, nursery schools – and the conflicting forces of determination and change in school subjects are identified and examined. The third section focuses on the contemporary school situation and the papers isolate and investigate some of the interest groups and social processes which enter into or affect the realization of school knowledge in the classroom.
An essay commissioned by the J. Paul Getty Center for Education in the Arts.
This book explores embodiment in second language education, sociocultural theory and research. It focuses on process drama, an embodied approach that engages learners’ imagination, body and voice to create a felt-experience of the second language and culture. Divided into three parts, it begins by examining the aesthetic and intercultural dimension of performative language teaching, the elements of drama and knowing-in-action. The central part of the book examines issues related to play, emotions, classroom discourse and assessment when learning a language through process drama, in a sociocultural perspective. The third part is an analysis of the author’s qualitative research, which info...