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A spoof on the politically correct, featuring a university in the Midwest. So that no one offends anyone, students wear color-coded necklaces, giving their class, ethnic, religious, political and sexual orientation. But as the dean learns some still feel left out, for example, the "vertically challenged," as small people call themselves.
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Alarmingly independent, ravishingly beautiful, and surprisingly cosmopolitan, Provincetown already figures in dozens of guide books. But Building Provincetown, which uses architecture to tell social and cultural history, is the most comprehensive yet. More than 1,200 pictures and 650 entries cover everything from the largest national landmarks to the smallest dune shacks -- with three dozen boats in the bargain.Street by street, Building Provincetown takes you under the snug eaves of stout Cape cottages and behind elegant Greek Revival and Queen Anne-style doorways. You'll meet Portuguese fishermen and Yankee whalers, Abstract Expressionists and AIDS activists, early gay pioneers and latter-...
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New Yorker essayist Mitchell likes to start with an unimportant hero, but collects all the facts, arranges them to give the desired effects, and usually ends by describing the customs of a community. The subject of one portrait "is a brassy little man who has made a living for the last forty years by giving an annual ball for the benefit of himself." Mitchell doesn't present him as anything more than a barroom scrounger; but in telling his story, he also gives a picture of New York sporting life. "King of the Gypsies" sets out to describe the spokesman of 38 gypsy families, but it soon becomes a Gibbon's decline and fall of the American gypsies; and it ends with an apocalyptic vision that is not only comic but also more imaginative than recent novels. Reading some of his portraits a second time, you catch an emotion beneath them that resembles Dickens'.--From Malcolm Cowley, The New Republic.