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A diverse collection of essays studying Jewish communities before, during, and after their emergence into a modern, emancipated status. A fitting tribute to an outstanding sociologist and scholar.
This volume introduces what has sometimes been called "the third component of western culture". It traces the historical development of those religious traditions which have rejected a world view based on the primacy of pure rationality or doctrinal faith, emphasizing instead the importance of inner enlightenment or gnosis: a revelatory experience which was typically believed to entail an encounter with one's true self as well as with the ground of being, God. The contributors to this book demonstrate this perspective as fundamental to a variety of interconnected traditions. In Antiquity, one finds the gnostics and hermetics; in the Middle Ages several Christian sects. The medieval Cathars c...
Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.
Early New England and the early modern era -- Jonathan Edwards and the Protestant scholastics -- Sources of Christian homiletics -- Sources of biblical exegesis: an ecumenical enterprise -- Sources of the formulation of doctrine: continuity and discontinuity? -- Sources of history as theology -- Conclusion and prospect
This work by a veteran pastor and professor of homiletics looks at the history of preaching from its roots in the Old Testament prophets to its continuing development in the modern era.
Dante's Divine Comedy played a dual role in its relation to Italian Renaissance culture, actively shaping the fabric of that culture and, at the same time, being shaped by it. This productive relationship is examined in Commentary and Ideology, Deborah Parker's thorough compendium on the reception of Dante's chief work. By studying the social and historical circumstances under which commentaries on Dante were produced, the author clarifies the critical tradition of commentary and explains the ways in which this important body of material can be used in interpreting Dante's poem. Parker begins by tracing the criticism of Dante commentaries from the nineteenth century to the present and then e...