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The Illiterate
In 2004, late in her legendary career, Ágota Kristóf wrote this slim dagger of a memoir about being a refugee after fleeing Hungary in 1956 Narrated in a series of stark, brief vignettes, The Illiterate is Ágota Kristóf’s memoir of her childhood, her escape from Hungary in 1956 with her husband and small child, her early years working in factories in Switzerland, and the writing of her first novel, The Notebook. Few writers can convey so much in so little space. Fierce yet almost pointedly flat and documentarian in tone, Kristóf portrays with a disturbing level of detail and directness an implacable message of loss: first, she is forced to learn Russian as a child (with the Soviet tak...
Yesterday
A troubled villager flees to the city's comfortable anonymity — a respite that's shattered by the appearance of his boyhood love, her husband, and child. "Fierce and distinctive." — Kirkus Reviews.
The Notebook
Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive.
The Notebook
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The Proof
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I Don't Care
Never before translated short stories—“stark and haunting” (San Francisco Chronicle)—by the legendary genius Ágota Kristóf Here, in English at last, is a collection of Ágota Kristóf’s short—sometimes very short—stories, which she selected herself, translated by the peerless Chris Andrews. Written immediately before her masterful trilogy (The Notebook, The Proof, The Third Lie), Kristof’s short fictions oscillate between parable, surrealist anecdotes, and stories animated by a realism stripped to the bone, often returning to the theme of exile: the twin impossibilities of returning home and of reconstructing home elsewhere. The world of the book has very hard edges: cruelty is almost omnipresent, peace and consolation are scarce. Austere and minimalist, but with a poetic force that shifts the walls in the reader’s mind, Kristof’s penetrating short fictions make for extraordinary and essential reading.
Picnic in the Storm
Winner of the Akutagawa Prize and the Kenzaburo Oe Prize A New York Times Book Review Editors' Choice 'In Yukiko Motoya's delightful new story collection, the familiar becomes unfamiliar . . . Certainly the style will remind readers of the Japanese authors Banana Yoshimoto and Sayaka Murata, but the stories themselves?and the logic, or lack thereof, within their sentences?are reminiscent, at least to this reader, of Joy Williams and Rivka Galchen and George Saunders' ?Weike Wang, New York Times Book Review A housewife takes up bodybuilding and sees radical changes to her physique - which her workaholic husband fails to notice. A boy waits at a bus stop, mocking businessmen struggling to keep...
The Melancholy of Resistance
Winner of the 2015 Man Booker International Prize The Melancholy of Resistance, László Krasznahorkai's magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender centre of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, 'is a slow lava flow of narrative, a vast black river of type.' And yet, miraculously, the novel, in the words of Guardian, 'lifts the reader along in lunar leaps and bounds.'
The Third Lie
In the third volume in a critically acclaimed trilogy that also includes The Proof and The Notebook, Claus lies dying in a prison in the town of his birth, reminiscing about the past and his missing twin and haunted by three lies that have profoundly affected his life.
Ágóta Kristóf: Collected Plays
Available for the first time in English, this volume is a collection of all nine plays Kristóf wrote; five full length plays and four shorter plays: John and Joe, The Lift Key, A Passing Rat, The Grey Hour or the Last Client, The Monster, The Road, The Epidemic, The Atonement, and Line, of times. Pre-dating her acclaimed novel The Notebook, these plays are a fascinating insight into the development of her writing and ideas. Her work explores themes of war and destruction,; love and loneliness; desperate sexual encounters; desire and loss; truth and fiction.
