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"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown," writes H. P. Lovecraft at the start of his essay "Supernatural Horror in Literature." In real life, the author Agustin Fernandez Paz, Galicia's answer to H. P. Lovecraft, is reading the newspaper and comes across a classified ad for a haunted house. He imagines what would happen if someone answered that ad. Then what would happen if they went to see the house and liked it. Then what would happen if they had enough money and decided to buy it. And finally what would happen if they went to live there and discovered that the house was really haunted. This is the plot of "Wint...
Ten stories that "talk of the importance of love, that feeling that can transform us more deeply than any other, and also of its absence, the void it leaves in people when the twists and turns of life make it impossible." This book received the 2008 Spanish National Book Award and is beautifully illustrated in colour by Pablo Auladell.
Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.
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Daniela, una niña de nueve años, pasa unos días en casa de su abuela en Mondoñedo, mientras sus padres terminan la mudanza de Lugo a Vigo. La niña sube a la buhardilla para curiosear y en el viejo baúl que su bisabuelo trajo de Cuba escucha un ruido. Al abrirlo se encuentra con un ratón que se pone a hablar con ella. Este le explica que es un extraterrestre en misión de reconocimiento de la Tierra que tiene la facultad de cambiar de forma y de hacerse invisible.
This collection pushes migration and "the minor" to the fore of literary anthropology. What happens when authors who thematize their “minority” background articulate notions of belonging, self, and society in literature? The contributors use “interface ethnography” and “fieldwork on foot” to analyze a broad selection of literature and processes of dialogic engagement. The chapters discuss German-speaking Herta Müller’s perpetual minority status in Romania; Bengali-Scottish Bashabi Fraser and the potentiality of poetry; vagrant pastoralism and “heritagization” in Puglia, Italy; the self-representation of European Muslims post 9/11 in Zeshan Shakar’s acclaimed Norwegian no...
There are three bestsellers of Galician literature: The Carpenter's Pencil by Manuel Rivas, a love story set in the Spanish Civil War; Winter Letters by Agustín Fernández Paz, about a man who decides to find out if a haunted house is really haunted (this title is also available from Small Stations Press); and perhaps most famously of all Memoirs of a Village Boy by Xosé Neira Vilas. This book, according to Wikipedia, is the most published work of Galician literature and has sold 700,000 copies in the Galician language. Now this work is being made available in an English translation by John Rutherford, founder of the Centre for Galician Studies at Oxford University and translator of Don Qu...
In An Animal Called Mist, a book of six short stories, the Galician author Ledicia Costas (Winner of the 2015 Spanish National Book Award) walks the tightrope between fiction and reality in a superb and sometimes shocking narrative. She bases herself on real events in and after the Second World War - the Siege of Leningrad, the sinking of the USS Indianapolis, the dropping of atomic bombs on Hiroshima and Nagasaki, the interrogation of Italian partisans by the Banda Koch, the sexual exploitation of women internees in Nazi concentration camps, the trials of high-ranking Nazi officials - and then recreates them, changing and inventing biographical details, giving free rein to her writer's imag...
Translated from more than 25 languages and highlighting the future luminaries and revolutionaries of international literature. Fans of the series will find everything they've grown to love, while new readers will discover what they've been missing!
Poetry. Translated by Zachary Rockwell Ludington. In PIXEL FLESH, superbly translated by Zachary Rockwell Ludington, Agustín Fernández Mallo posits and then destabilizes hypotheses, unifying apparent opposites by revealing them as the poles of a single surface. With inexhaustible curiosity, bracing inversions of logic, and a refusal to hierarchize forms of knowledge, Fernández Mallo zooms in until what appears concrete is returned to abstraction, creating a self-reconfiguring system wherein a map is also an emptiness; algebra, a flame; heat from a circuit board, sweat; and the world, a form of disappearance. PIXEL FLESH may begin as a project of postpoetic enumeration, but its poems are p...