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The cult classic from the godfather of Cuban science fiction, Agustín de Rojas’s The Year 200 is both a visionary sci-fi masterwork and a bold political parable about the perils of state power. Centuries have passed since the Communist Federation defeated the capitalist Empire, but humanity is still divided. A vast artificial-intelligence network, a psychiatric bureaucracy, and a tiny egalitarian council oversee civil affairs and quash “abnormal” attitudes such as romantic love. Disillusioned civilians renounce the new society and either forego technology to live as “primitives” or enhance their brains with cybernetic implants to become “cybos.” When the Empire returns and takes over the minds of unsuspecting citizens in a scenario that terrifyingly recalls Invasion of the Body Snatchers, the world’s fate falls into the hands of two brave women. Originally published in 1990, just after the fall of the Berlin Wall and before the onset of Cuba's devastating Special Period, Agustín de Rojas’s magnum opus brings contemporary trajectories to their logical extremes and boldly asks, “What does ‘the greatest good for the greatest number’ really mean?”
"Andrew Wood masterfully interweaves the many legends about the musician-poet Agustin Lara with solid historical facts, painstakingly documenting his rise from a hopeless romantic bordello-pianist to the world's most renowned bolero composer."--Cover, page [4].
Praxis, Agustín Hernández' is the fourth book in a series devoted to some of our favourite architects, the houses they build, and the stories behind them.0Born in 1924, Agusti?n Herna?ndez came of age as an architect in Mexico as modernist ideas coalesced with a renewed pride in the country?s past. He was a frontrunner in combining the symbols, myths, and urban planning principles of pre-Columbian civilisations to create imposing architectural monuments that even today retain their avant-garde nature?from the military academy he built as a modern-day Mayan ceremonial ground to the remote meditation centre commissioned by his sister, based on the symbolism of the snake, and the studio-home that he built for himself in 1975: Praxis, a geometric treehouse that still towers over the Bosques de las Lomas neighbourhood of Mexico City. Original photography by Ryan Lowry.
The product of decades of scholarly investigation, Volume 1 contains 67 musical works by the virtuoso Paraguayan guitarist Agustín Barrios Mangoré (1885-1944). This is the first edition of Barrios' music based on all available sources: manuscripts, phonograph recordings and published editions (pre-1970s). Written in standard notation only, the two volumes of this definitive collection are illustrated with period photographs, concert programs and Barrios' own drawings. the legacy of Barrios is one of the most important and outstanding contributions ever made to the classic guitar, and it is with great pride that Mel Bay Publications offers here for the first time in one edition the collected works of Agustín Barrios Mangoré.
Volume 2 of this landmark publication includes 65 original compositions in standard notation plus a unique CD featuring Barrios himself playing 21original works including: Danza Paraguaya, La Catedral, Un Sueño en la Floresta, Maxixe, Tarantella, Aire Popular Paraguayo and many more! In addition to the music, 82 pages of exhaustive Critical Notes shed light on the Barrios catalog making this the definitive anthology of his work. More reliable, comprehensive and articulate than any previously published edition, this new Mel Bay Publications compilation (524 pages in all) will make the entire world of Barrios more accessible.
A morally profound chamber piece, A Legend of the Future is a critique of morality. It takes place inside a spaceship after a crash takes place during a failed mission to Titan, one of the Saturn moons. The journey home forces the crew to face its innermost fears while coexisting with each other in a state of desperation. This mesmerizing novel, recalling Arthur C. Clarke’s 2001: Space Odyssey, is a roman a clef about the intense pressures—economic, ideological, psychological—inside Socialist Cuba. Praise for A Legend of the Future "The best science fiction writer in Cuba; the only possible debate is which of his works is the best.... His trilogy of Spiral, A Legend of the Future, and ...
This is a monograph of the Paraguayan guitarist and composer Agustín Barrios. It looks particularly his influences and the innovations and range of techniques and styles found in his work.
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Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.