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Agustín Jiménez
Mexico City-born photographer Agustín Jiménez (1901-1974) was at the center of his country's flourishing avant-garde, which emerged in the 1920's when international photographers like Edward Weston and Tina Modotti began to travel extensively there and relationships between the local and foreign artists led to aesthetic breakthroughs on both sides. Jiménez is known for crafting an indigenous version of Romantic Pictorialism very akin to Weston's. Jiménez also collaborated closely with the Mexican illustrated press throughout the 1920s and 3̓0s, and in the latter decade became involved with the country's burgeoning motion picture industry--first as a still photographer and then as a cinematographer, in collaboration with such seminal figures as Sergei Eisenstein, Adolfo Best Maugard and Fernando de Fuentes. This volume contains a substantial selection of Jiménez's photographs and provides a deserved overview.
Agustín Jiménez
Mexico City-born photographer Agustín Jiménez (1901-1974) was at the center of his country's flourishing avant-garde, which emerged in the 1920s when international photographers like Edward Weston and Tina Modotti began to travel extensively there and relationships between the local and foreign artists led to aesthetic breakthroughs on both sides. Jiménez is known for crafting an indigenous version of Romantic Pictorialism very akin to Weston's. Jiménez also collaborated closely with the Mexican illustrated press throughout the 1920s and 30s, and in the latter decade became involved with the country's burgeoning motion picture industry--first as a still photographer and then as a cinematographer, in collaboration with such seminal figures as Sergei Eisenstein, Adolfo Best Maugard and Fernando de Fuentes. This volume contains a substantial selection of Jiménez's photographs and provides a deserved overview of his rich oeuvre.
The Classical Mexican Cinema
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film f...
Fuzzy Modeling and Control: Theory and Applications
Much work on fuzzy control, covering research, development and applications, has been developed in Europe since the 90's. Nevertheless, the existing books in the field are compilations of articles without interconnection or logical structure or they express the personal point of view of the author. This book compiles the developments of researchers with demonstrated experience in the field of fuzzy control following a logic structure and a unified the style. The first chapters of the book are dedicated to the introduction of the main fuzzy logic techniques, where the following chapters focus on concrete applications. This book is supported by the EUSFLAT and CEA-IFAC societies, which include a large number of researchers in the field of fuzzy logic and control. The central topic of the book, Fuzzy Control, is one of the main research and development lines covered by these associations.
Parasites
An exciting look at the essential roles that parasites play in Earth’s ecosystems This book looks at the weird and wonderful world of parasites, the most abundant form of life on Earth. Parasites come in all forms and sizes and inhabit every free-living organism. Parasitism is now, and always has been, a way to survive under changing environmental conditions. From arctic oceans to tropical forests, Scott Gardner, Judy Diamond, and Gabor Racz investigate how parasites survive and evolve, and how they influence and provide stability to ecosystems. Taking readers to the open ranges of Mongolia, the Sandhills of north-central Nebraska, the Andes of Bolivia, and more, the authors examine the im...
Robot Manipulators
This book presents the most recent research advances in robot manipulators. It offers a complete survey to the kinematic and dynamic modelling, simulation, computer vision, software engineering, optimization and design of control algorithms applied for robotic systems. It is devoted for a large scale of applications, such as manufacturing, manipulation, medicine and automation. Several control methods are included such as optimal, adaptive, robust, force, fuzzy and neural network control strategies. The trajectory planning is discussed in details for point-to-point and path motions control. The results in obtained in this book are expected to be of great interest for researchers, engineers, scientists and students, in engineering studies and industrial sectors related to robot modelling, design, control, and application. The book also details theoretical, mathematical and practical requirements for mathematicians and control engineers. It surveys recent techniques in modelling, computer simulation and implementation of advanced and intelligent controllers.
In Excess
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Me...
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Mexican Suite
"Now this publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images. The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson.
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