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Asking readers to imagine a history of Mexico narrated through the experiences of Africans and their descendants, this book offers a radical reconfiguration of Latin American history. Using ecclesiastical and inquisitorial records, Herman L. Bennett frames the history of Mexico around the private lives and liberty that Catholicism engendered among enslaved Africans and free blacks, who became majority populations soon after the Spanish conquest. The resulting history of 17th-century Mexico brings forth tantalizing personal and family dramas, body politics, and stories of lost virtue and sullen honor. By focusing on these phenomena among peoples of African descent, rather than the conventional history of Mexico with the narrative of slavery to freedom figured in, Colonial Blackness presents the colonial drama in all its untidy detail.
DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div
The history of the United States is made by many extraordinary individuals who gave significat contributions to this country. Many of them are of Hispanic origin and their achievements have not been exposed to the general public. Spanish-Americans highlights the deeds of many Hispanic figures who have made significant accomplishments in this land before it became independent and after its independence. Among them, the reader will find explorers, scholars, mossionaries, sailors, politicians, sciientist, artists, athletes, etc. Each biography gives hte background of each person, the main achievement and other important aspects of the individual's life. As one reads eack fascinating biography, one can glance at the picture of the person, giving the feeling of his (or her) presence. Spanish-Americans provides an additional one hundred profiles of other extraordinary individuals who merit being remembered for their achievements. Abundant historical sources and related bibliography are provided, accompanied by an alphbetical list of names.
New Mexico is a single volume presentation of the fascinating succession of events and characters that make up our state's past. This revision of the 1988 edition takes the reader to the opening years of the twenty-first century. What they said about the earlier edition: "New Mexico covers a lot of ground. . . . It's chock-full of little known facts and fascinating anecdotes that give fresh perspective to the past."--New Mexico Magazine "We can recommend that every library place this book on the reading shelf and if possible place a copy on the reference shelf."--Rota-Gene
In this volume, Bishop Arias offers us a one-page biography of the one hundred and twenty martyrs of the United States. They are laymen and laywomen, priests and religious, Europeans and Native Americans.--Page 1.
David Sowell traces the history of artisan labor organizations in Bogotá and examines long-term political activity of Colombian artisans in the century after independence. Relying on contemporary newspapers, political handouts, broadsides, and public petitions, Sowell analyzes the economic, social, and political history of the capital's artisan class, a middling social sector with very significant social and political strengths. This is the first study in English of nineteenth-century Latin American artisans and one of the few treatments that spans the whole of nineteenth-century Colombian history.The rise and late decline of artisan class political activity coincided the Colombia's integra...
On September 29, 1927, Cuban soprano Rita Montaner walked onto the stage of Havana's Teatro Regina, her features obscured under a mask of blackened glycerin and her body clad in the tight pants, boots, and riding jacket of a coachman. Standing alongside a gilded carriage and a live horse, the blackfaced, cross-dressed actress sang the premiere of Eliseo Grenet's tango-congo, "Ay Mama Ines." The crowd went wild. Montaner's performance cemented "Ay Mama Ines" as one of the classics in the Cuban repertoire, but more importantly, the premiere heralded the birth of the Cuban zarzuela, a new genre of music theater that over the next fifteen years transformed popular entertainment on the island. Cu...
In the late sixteenth century, Spanish explorers described encounters with North American people they called "Jumanos." Although widespread contact with Jumanos is evident in accounts of exploration and colonization in New Mexico, Texas, and adjacent regions, their scattered distribution and scant documentation have led to long-standing disagreements: was "Jumano" simply a generic name loosely applied to a number of tribes, or were they an authentic, vanished people? In the first full-length study of the Jumanos, anthropologist Nancy Hickerson proposes that they were indeed a distinctive tribe, their wide travel pattern linked over well-established itineraries. Drawing on extensive primary s...
Aquella memorable iniciativa de Eugenio Espejo de publicar el 5 de enero de 1792, en las postrimerías del régimen colonial, Primicias de la cultura de Quito, el inicio del periodismo en el Ecuador, fue replicada treinta y seis años después en Cuenca, cuando fray Vicente Solano puso a circular El Eco del Asuay (sic), el primer periódico que salió a la luz en nuestra, aún balbuciente, vida republicana. Era el domingo 13 de enero de 1828, días en los que bullían las ambiciones y tambaleaba la Gran Colombia. Se trataba de un impreso en folio de cuatro páginas a dos columnas de edición clara y limpia y en cuya primera página ostentaba un epígrafe tomado de una frase de Rousseau que d...