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Phantom Home gathers Palestinian-born photographer Ahlam Shibli's (born 1970) newest series, Death, which explores the iconic representations of Palestine's heroes killed during the second intifada, through humble portrayals of adorned graves, domestic shrines and cell phone snapshots.
Edited by Adam Szymczyk. Text by Adam Szymczyk, John Berger, Jean-Francoise Chevrier, Okwui Enwezor, Rhoda Kannaaneh.
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Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.
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