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The Shutters
This surreal poetry maps Morocco’s cultural history, as Bouanani hauntingly evokes all of the violence inflicted on his country The Shutters collects the two most important poetry collections—"The Shutters" and "Photograms"—by the legendary Moroccan writer Ahmed Bouanani. By intertwining myth and tradition with the familiar objects and smells of his lived present, Bouanani reconstructs vivid images of Morocco's past. He weaves together references to the Second World War, the Spanish and French protectorates, the Rif War, dead soldiers, prisoners, and poets screaming in their tombs with mouths full of dirt. His poetry, written in an imposed language with a "strange alphabet," bravely confronts the violence of his country's history—particularly during the period of les années de plomb, the years of lead—all of which bears the brutal imprint of colonization. As Bouanani writes, "These memories retrace the seasons of a country that was quickly forgetful of its past, indifferent to its present, constantly turning its back on the future."
The Hospital
A tour de force: an utterly singular modern Moroccan classic “When I walked through the large iron gate of the hospital, I must have still been alive…” So begins Ahmed Bouanani’s arresting, hallucinatory 1989 novel The Hospital, appearing for the first time in English translation. Based on Bouanani’s own experiences as a tuberculosis patient, the hospital begins to feel increasingly like a prison or a strange nightmare: the living resemble the dead; bureaucratic angels of death descend to direct traffic, claiming the lives of a motley cast of inmates one by one; childhood memories and fantasies of resurrection flash in and out of the narrator’s consciousness as the hospital transforms before his eyes into an eerie, metaphorical space. Somewhere along the way, the hospital’s iron gate disappears. Like Sadegh Hedayat’s The Blind Owl, the works of Franz Kafka—or perhaps like Mann’s The Magic Mountain thrown into a meat-grinder—The Hospital is a nosedive into the realms of the imagination, in which a journey to nowhere in particular leads to the most shocking places.
Beyond Casablanca
A fascinating journey through the world of Moroccan cinema.
A Country for Dying
An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature" WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."
Pharmaceutical Wastewater Treatment Technologies:
Pharmaceutical wastewater is now a major concern due to the improper legislation around the globe and the poor implementation of existing laws. This book covers the various aspects of pharmaceutical sources, treatment technologies, and the harmful effect on the natural environment. The book will also highlight the concept of the 3Rs (reduce, reuse and recycle) as applied to the treatment and resource recovery systems for pharmaceutical treatment. The different innovative technologies will deal with reducing the energy requirements, the physical space requirements and impacts of treatment plants . Some case studies are included in order to fully understand the practical aspects of the treatment and modelling.
Black is the Journey, Africana the Name
In this highly original book, Maboula Soumahoro explores the cultural and political vastness of the Black Atlantic, where Africa, Europe, and the Americas were tied together by the brutal realities of the slave trade and colonialism. Each of these spaces has its own way of reading the Black body and the Black experience, and its own modes of visibility, invisibility, silence, and amplification of Black life. By weaving together her personal history with that of France and its abiding myth of color-blindness, Maboula Soumahoro highlights the banality and persistence of structural racism in France today, and shows that freedom will be found in the journey and movement between the sites of the ...
Me & Other Writing
A career-spanning collection of Marguerite Duras’s genre-bending essays that Kirkus calls “a luminous, erudite exploration of the self and art.” In her nonfiction as well as her fiction, Marguerite Duras’s curiosity was endless, her intellect voracious. Within a single essay she might roam from Flaubert to the “scattering of desire” to the Holocaust; within the body of her essays overall, style is always evolving, subject matter shifting, as her mind pushes beyond the obvious toward ever-original ground. Me & Other Writing is a guidebook to the extraordinary breadth of Duras’s nonfiction. From the stunning one-page “Me” to the sprawling 70-page “Summer 80,” there is not a piece in this collection that can be easily categorized. These are essayistic works written for their times but too virtuosic to be relegated to history, works of commentary or recollection or reportage that are also, unmistakably, works of art.
Accidental Gods
Spanning the globe and five centuries, Accidental Gods introduces us to a new pantheon: of man-gods, deified politicians and imperialists, militants, mystics and explorers. From the conquistadors setting foot in the New World to Haile Selassie of Ethiopia, elevated by a National Geographic article from emperor to messiah for the Rastafari faith, to the unlikely officers hailed as gods during the British Raj, this endlessly curious and revelatory account chronicles an impulse towards deification that persists even in a secular age, as show of defiance or assertion of power. In her bravura final part, Subin traces the colonial desire for divinity through to the creation of 'race' and the white power movement today, and argues that it is time we rid ourselves of the white gods among us.
Not Dead But Sleeping
"This book-length essay on the cultural politics of sleep... takes as its starting point Tawfiq al-Hakim's 1933 play, "The People of the Cave." -- page 4 of cover.
Moroccan Cinema Uncut
Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.
