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Sancta
Poems.
The Best American Poetry 2023
Award-winning poet Elaine Equi selects the poems for the 2023 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). Since its debut in 1988, The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume presents some of the year’s most striking and innovative poems, with comments from the poets themselves offering insight into their work. For The Best American Poetry 2023 guest editor Elaine Equi, whose own work is “deft, delicate [and] subversive” (August Kleinzahler), has made astute choices representing contemporary poetry at its most dynamic. The result is an exceptionally coherent vision of American poetry today. Including valuable introductory essays contributed by the series and guest editors, the 2023 volume is sure to capture the attention of both Best American Poetry loyalists and newcomers to the series.
The Way Things Go
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Best American Poetry 2017
Edited by Pulitzer Prize-winner and nineteenth US Poet Laureate Natasha Trethewey, The Best American Poetry 2017 brings together the most notable poems of the year in the series that offers “a vivid snapshot of what a distinguished poet finds exciting, fresh, and memorable” (Robert Pinsky). Librarian of Congress James Billington says Natasha Trethewey “consistently and dramatically expanded the power” of the role of US Poet Laureate, holding office hours with the public, traveling the country, and reaching millions through her innovative PBS NewsHour segment “Where Poetry Lives.” Marilyn Nelson says “the wide scope of Trethewey’s interests and her adept handling of form have ...
NANO Fiction Volume 6 Number 1
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Selena Anderson, Garrett ...
The Bricolage of Kotegaeshi
This volume of visionary poetry by an Oregon poet showcases his unique style of streaming periodicity combined with wide-ranging intellect.
Many Wests
What does it mean to live in the West today? Do people tend to identify with states, with regions, or with the larger West? This book examines the development of regional identity in the American West, demonstrating that it is a regionally diverse entity made up of many different wests--Great Plains, Southwest, Rocky Mountains, and more--in which American regionalism finds its fullest expression. These fourteen original essays tell how a sense of place emerged among residents of various regions and how a sense of those places was developed by people outside of them. Wrobel and Steiner first offer a compelling overview of the West's regional nature; then thirteen other rising or renowned scho...
Chaos is the New Calm
Chaos is the New Calm expands the parameters of the sonnet form, putting rhymes in unusual places, inventing new stanza structures, and addressing a variety of subject matter ranging from travelogue to inner monologue, from social commentary to solitary musing. These poems are alive with sound, rhythm, and lyric insights into the world. Wyn Cooper’s poem “Fun” was adapted by Sheryl Crow for her hit song “All I Wanna Do.” He collaborates on music and spoken word with novelist Madison Smartt Bell. Cooper is co-organizer of the Brattleboro Literary Festival. He consults for the Poetry Foundation’s Harriet Monroe Poetry Institute.
Performing Autobiography
Performing Auto/biography: Narrating a Life as Activism analyzes the rhetorical strategies employed in five authors’ auto/biographical texts, examining their representations of identities and the public implications of writing individual identity. Exploring the ways race, class, culture, ethnicity, gender, and sexuality might affect the form(s) in which writers choose to write (e.g., memoir, fictional autobiography, poetry), questions how autobiographers challenge notions of genre, truth, and representation. This builds on the argument that constructing identity is a Performing Autobiography performance, one that can simultaneously use and subvert traditional notions of rhetoric and genre....
