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"Moving, brilliant, and certified 100% human."-Samit Basu, author of Turbulence If you have the opportunity to give up humanity for efficiency, mechanical invincibility, and to surpass human limitations. . . would you? Ai is a cyborg, under the guise of an AI writing program, who struggles to keep up with the never-blinking city of Emit as it threatens to leave all those like her behind.
"Moving, brilliant, and certified 100% human." -Samit Basu, author of Turbulence If you have the opportunity to give up humanity for efficiency, mechanical invincibility, and to surpass human limitations. . . would you? Ai is a cyborg, under the guise of an AI writing program, who struggles to keep up with the never-blinking city of Emit as it threatens to leave all those like her behind.
A modern Gothic ghost story set in a mysterious town where the dead live again as spirits, conjured by a grief-sick population that refuses to let go.
"Kingdoms in Peril is an epic historical novel covering the five hundred and fifty years of the Eastern Zhou dynasty, from the civil wars and invasions that marked the birth of a new regime in 771 BCE to the unification of China in 221 BCE. Kingdoms in Peril was written in the 1640s, at the very end of the Ming dynasty, by the great novelist Feng Menglong (1574-1646). In the course of the one hundred and eight chapters of the complete novel, he documents the collapse of the Zhou confederacy during the Spring and Autumn period (771-475 BCE) and the slow rebuilding of civil society during the Warring States era (475-221 BCE) which culminated in the unification of China under the First Emperor of the Qin dynasty (r. 246-221 BCE as king; r. 221-210 BCE as emperor). Thus overall this novel describes a grand arc, from stability to chaos and back again. As a novel about politics, much of the narrative in Kingdoms in Peril concentrates on the exercise of power"--
"The Three Kingdoms gives us The Iliad of China. First of the five great works of traditional prose fiction, this master narrative transforms history into epic and has thereby educated and entertained readers of five centuries with unforgettable exemplars of martial and civic virtue, of personal fidelity and political treachery. Moss Roberts's translation, the first complete rendering in English, is one of surpassing excellence and impeccable scholarship. It should delight and captivate Western readers for many more years to come."—Anthony C. Yu, University of Chicago
This new volume of the "Biographical Dictionary of Chinese Women" spans more than 2,000 years from antiquity to the early seventh century. It recovers the stories of more than 200 women, nearly all of them unknown in the West. The contributors have sifted carefully through the available sources, from the oracle bones to the earliest legends, from Liu Xiang's didactic Biographies to official and unofficial histories, for glimpses and insights into the lives of women. Empresses and consorts, nuns and shamans, women of notoriety or exemplary virtue, women of daring and women of artistic or scholarly accomplishment - all are to be found here. The editors have assembled the stories of women high born and low, representing the full range of female endeavor. The biographies are organized alphabetically within three historical groupings, to give some context to lives lived in changing circumstances over two millennia. A glossary, a chronology, and a finding list that identifies women of each period by background or field of endeavor are also provided.
This book focuses on the representation of human mortality in medieval Chinese literature. This theme is observed and reconstructed through analysis of the work of eminent writers of the period, texts that have never been examined from an eschatological perspective.
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Presents the intellectual world of early medieval Sichuan through a critical biography of historian and classicist Qiao Zhou.