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Saxophone Colossus
**Winner of the American Book Award (2023)** **Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the “Saxophone Colossus,” he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden’s Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic “Great Day in Harlem” portrait. His seven-decade career has been well documented, but the backstage life o...
Dirty Blvd.
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Patti Smith on Patti Smith
From the moment Patti Smith burst onto the scene, chanting "Jesus died for somebody's sins, but not mine," the irreverent opening line to Horses, her 1975 debut album, the punk movement had found its dissident intellectual voice. Yet outside the recording studio—Smith has released eleven studio albums—the punk poet laureate has been perhaps just as revelatory and rhapsodic in interviews, delivering off-the-cuff jeremiads that emboldened a generation of disaffected youth and imparting hard-earned life lessons. With her characteristic blend of bohemian intellectualism, antiauthoritarian poetry, and unflagging optimism, Smith gave them hope in the transcendent power of art. In interviews, S...
The Best Plays from the Strawberry One-Act Festival
MEATLOAF IN THE MOONLIGHT by David Gallic. Every family has skeletons in their closet. These skeletons are coming out to play. CLAP ON, CLAP OFF by Aiden Levy. A sexually frustrated adolescent tries to lose his virginity to his wholesome girlfriend when his grandmother leaves for a Mensa trip and entrusts him to water her plants. ANYONE, ANYWHERE by Amanda Fleming. Love can happen to anyone, anywhere. BABE, INC. by Rosemary Zibart. In the year 2108, men can order robotic women as mates, but due to a snafu in the system, a real woman gets substituted for a robotic Babe to accompany a man to his mothers funeral. The results are a little haywire. PEAR by Carol Paik. Husband and wife grapple with the incessant problem of what to do about dinner. Other plays include: THE PARKING LOT by Holly Hunt, BLUE STREAK by Carston Turner, STEEL OR PRETZELS by Mara Gilbert, JUMP by Josh Sohn, DAILY SOUNDS by Jay Prasad, FREE COUNTRY by Steve Monarque, THE SEED by David Pumo, and THIS BASEMENT by Bethann Snow.
Alchemy of Punk
Alchemy of Punk, a thesis and opera developed by Aneta Panek as part of her PhD, investigates punk’s poetics and motifs, genealogy, and subversive reinvention. Reaching as far back as the Middle Ages and exploring the tradition of troubadours, minnesingers, madrigals, beggar’s operas, and murder ballads, Aneta proposes to understand punk as an embodiment of Dionysian art; a danse macabre celebrating life through performative, screamed poetry. In her textual exploration of punk—this thesis—she delves into the vast forms of expression adopted by punk’s vagabonds, outcasts, and poètes maudits, and in her artwork—the punk opera—she tests the theories and ideas presented in her thesis, bringing together the greatest voices of classical opera, punk, and industrial rock in an explosive spectacle of theatrical and musical experiences, video installation, and live performance.
Notes from the Velvet Underground
**** COMPELLING - The Sunday Telegraph CONTROVERSIAL ... Sounes' book pushes the standard Reed narrative - The New York Times Lou Reed, who died in 2013, was best known to the general public as the grumpy New Yorker in black who sang 'Walk on the Wild Side'. To his dedicated admirers, however, he was one of the most innovative and intelligent American songwriters of modern times, a natural outsider who lived a tumultuous and tortured life. In this in-depth, meticulously researched and very entertaining biography, respected biographer Howard Sounes examines the life and work of this fascinating man, from birth to death, including his time as the leader of The Velvet Underground - one of the m...
Evaluating The Undergraduate Research Experience
The current movement toward more and better research experiences for undergraduates has spread across disciplines in the arts, humanities, science, mathematics, and engineering beyond the “research university” to the full range of post-secondary institutions of higher education. Along with this spread of practice is the need to take stock of the programs and make use of evaluation to inform program improvement and to communicate an understanding of the worth of the program to funders, institutional administrators, faculty/mentors, and students. The main aim of the book is to provide a practical guide for planning an evaluation of an undergraduate experience program. The intent is to enab...
The Therapist’s Use of Self
This book encourages and trains students and practicing marriage and family therapists to bring themselves into the therapy room, offering guidelines and strategies for being more present and personal with their clients. Mental health professionals are often taught and trained that therapy is serious business, to be cautious and conservative with therapeutic decision-making, and to stick to empirically supported and specific tools in sessions. What gets lost in this positivistic, formulaic, and scientific way of working are therapists’ own unique voices, their creativity, flexibility, and the sense of playfulness that make the change process fun and upbeat. The Therapist’s Use of Self eq...
Sweet, Wild and Vicious
From the time he began recording with the Velvet Underground in the 1960s until his death in 2013, Lou Reed released nearly 50 original albums. In Sweet, Wild and Vicious, Jim Higgins delves into each one, with descriptions, details, analysis and appraisals that will amplify and expand fans’ understanding and appreciation of them. This listener's guide is personal as well as definitive, a thoughtful consideration of Reed's entire career from the perspective of a devoted follower able to separate the highs from the lows.
The Musician as Philosopher
An insightful look at how avant-garde musicians of the postwar period in New York explored the philosophical dimensions of music’s ineffability. The Musician as Philosopher explores the philosophical thought of avant-garde musicians in postwar New York: David Tudor, Ornette Coleman, the Velvet Underground, Alice Coltrane, Patti Smith, and Richard Hell. It contends that these musicians—all of whom are understudied and none of whom are traditionally taken to be composers—not only challenged the rules by which music is written and practiced but also confounded and reconfigured gendered and racialized expectations for what critics took to be legitimate forms of musical sound. From a broad historical perspective, their arresting music electrified a widely recognized social tendency of the 1960s: a simultaneous affirmation and crisis of the modern self.
