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Art and Text
This volume covers the development of the textual medium in art from the early combinations of text, lettering and image in the work of seminal artists such as El Lissitzky and Kurt Schwitters right up to the present day. The use of written language has been one of the most defining developments in visual art of the twentieth century. The use of text can be seen in some of the most avant-garde artwork of the twentieth century; René Magritte and dadaist artists used it to describe anti-art and anti-aesthetic sentiment. The work of some of the most famous conceptual artists of the 1960s began to use written language as an artwork in itself. Artists such as John Baldessari, Lawrence Weiner and Bruce Nauman, who are still today some of the world's most respected artists, helped push the boundaries of what constitutes art at the time and it has continued to develop since that period. The expansive Art & Language group of artists and theorists, including Joseph Kosuth, also reconsidered the possibilities of "linguistic art."
On the Production of Subjectivity
This book offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.
Intertitles
Intertitles is an anthology of work situated at the intersection of writing and the visual arts. The anthology aims to explore their confluence and is conceived in response to a twofold observation: the increased presence of written, spoken and performed language in the work of visual artists and the simultaneous increase in visibility and circulation of the work and voices of writers in the visual arts arena. Bringing together a substantial and significant collection of work, the anthology recognises that both writers and artists are attracted to the possibilities of language as a material. Through essays, performance texts, scores, poetry and more, Intertitles plots a course through contem...
Off the Ground
A sympathetic but clear-eyed exploration of Paul McCartney’s work in the 1990s, arguably his most important since the rise of the Beatles. Paul McCartney’s 1990s was an era like no other, perhaps even the most significant decade of his entire career after the 1960s. Following a shakier 1980s, the decade would see McCartney reemerge with greater energy, momentum, and self-belief. JR Moores’s sympathetic but not uncritical new book explores McCartney’s ’90s, with its impressive studio and live albums, colossal tours, unexpected side-projects and imaginative collaborations, forays into classical composition, some new Beatles numbers, and a whole lot more besides. Moores reveals how McCartney’s reputation began to be perceived more generously by the public, and he argues that Macca’s output and activities in the ’90s would uncover more about the person behind them than in any other decade.
absence of clutter
An exploration of minimal writing—texts generally shorter than a sentence—as complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-know...
Biscuits and Cookies
What’s your favorite cookie (or biscuit, for any British baking show buffs)? Chocolate chip, ginger spice, or Oreo? Oatmeal-and-raisin, black-and-white, digestive, or florentine? Or do you just prefer the dough? Our choice biscuits and cookies are as diverse as the myriad forms and flavors these chewy treats take, and well they should be. These baked delights have a history as rich as their taste: evidence of biscuit-making dates back to around 4000 BC. In Biscuits and Cookies, Anastasia Edwards explores the delectable past of these versatile snacks, from their earliest beginnings through Middle Eastern baking techniques, to cookies of Northern Europe in the Middle Ages, and on into the New World. From German lebkuchen to the animal cracker (more than half a billion of which are produced each year in the United States alone), from brownies and sugar cookies in the United States to shortbread and buttery tea biscuits in the United Kingdom, to Anzac and Girl-Guide biscuits in New Zealand and Australia, this book is crammed with biscuit and cookie facts, stories, images, and recipes from around the world and across time. And there’s no need to steal from the cookie jar.
The Utopian Globalists
THE UTOPIAN GLOBALISTS “Crossing continents, historical periods and cultural genres, Jonathan Harris skilfully traces the evolution of utopian ideals from early modernism to the spectacularised and biennialised (or banalised as some would say) contemporary art world of today.” Michael Asbury, University of the Arts, London The Utopian Globalists is the second in a trilogy of books by Jonathan Harris examining the contours, forces, materials and meanings of the global art world, along with its contexts of emergence since the early twentieth century. The first of the three studies, Globalization and Contemporary Art (Wiley-Blackwell, 2011), anatomized the global art system through an exten...
Comics and Graphic Novels - International Perspectives, Education, and Culture
Comics and graphic novels are important components of popular culture and have international influence. They engage readers across all age groups and across fiction and non-fiction genres. They address many cultural and social ideas, histories, languages, and concepts with engaging stories and narratives. This book provides international perspectives on comics and graphic novels in various contexts for education that may inform social cognition, curriculum theory, and cultural studies. Interdisciplinary perspectives are highlighted to showcase research, theory, and practices in the use of comics and graphic novels. Complexity within this genre is discussed to provide new and updated perspectives on the theory and practice of comics and graphic novels for their reflection of and influence on culture, their multimodal role in content area literacy, and their influence across social contexts.
Fabulosa!
A Times Literary Supplement Book of the Year “Richly evocative and entertaining.”—Guardian “An essential book for anyone who wants to Polari bona!”—Attitude “Exuberant, richly detailed. . . . A delightful read.”—Tatler Polari is a language that was used chiefly by gay men in the first half of the twentieth century. It offered its speakers a degree of public camouflage and a means of identification. Its colorful roots are varied—from Cant to Lingua Franca to dancers’ slang—and in the mid-1960s it was thrust into the limelight by the characters Julian and Sandy, voiced by Hugh Paddick and Kenneth Williams, on the BBC radio show Round the Horne (“Oh hello Mr Horne, how...
