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Envisioning La Escalera--an underground rebel movement largely composed of Africans living on farms and plantations in rural western Cuba--in the larger context of the long emancipation struggle in Cuba, Aisha Finch demonstrates how organized slave resistance became critical to the unraveling not only of slavery but also of colonial systems of power during the nineteenth century. While the discovery of La Escalera unleashed a reign of terror by the Spanish colonial powers in which hundreds of enslaved people were tortured, tried, and executed, Finch revises historiographical conceptions of the movement as a fiction conveniently invented by the Spanish government in order to target anticoloni...
Volume III covers the Iberian Empires and stresses the ethnic dimension of the independent processes in Spanish America and Brazil. An important reference text for historians of the Atlantic World with a keen interest in the Iberian Empires.
These essays deepen our understanding of Haiti during the period from 1791 to 1815. They consider the colony's history and material culture as well as it 'free people of colour' and the events leading up to the revolution and its violent unfolding.
Wage-Earning Slaves is the first systematic study of coartación, a process by which slaves worked toward purchasing their freedom in installments, long recognized as a distinctive feature of certain areas under Spanish colonial rule in the nineteenth century. Focusing on Cuba, this book reveals that instead of providing a “path to manumission,” the process was often rife with obstacles that blocked slaves from achieving liberty. Claudia Varella and Manuel Barcia trace the evolution of coartación in the context of urban and rural settings, documenting the lived experiences of slaves through primary sources from many different archives. They show that slave owners grew increasingly intol...
Finding Charity’s Folk highlights the experiences of enslaved Maryland women who negotiated for their own freedom, many of whom have been largely lost to historical records. Based on more than fifteen hundred manumission records and numerous manuscript documents from a diversity of archives, Jessica Millward skillfully brings together African American social and gender history to provide a new means of using biography as a historical genre. Millward opens with a striking discussion about how researching the life of a single enslaved woman, Charity Folks, transforms our understanding of slavery and freedom in Revolutionary America. For African American women such as Folks, freedom, like ens...
From the late 1850s to the 1940s, multiple colonial projects, often in tension with each other, influenced the formation of local, transimperial, and transnational political identities of Arab Ottoman subjects in the eastern Mediterranean and the Western Hemisphere. Arab Ottoman men, women, and their descendants were generally accepted as whites in a racially stratified Brazilian society. Local anxieties about color and race among white Brazilians and European immigrants, however, soon challenged the white racial status the Brazilian state afforded to Arab Ottoman immigrants. In Transimperial Anxieties José D. Najar analyzes how overlapping transimperial processes of migration and return, c...
The story of the driver is the story of Atlantic slavery. Starting in the seventeenth-century Caribbean, enslavers developed the driving system to solve their fundamental problem: how to extract labor from captive workers who had every reason to resist. In this system, enslaved Black drivers were tasked with supervising and punishing other enslaved laborers. In The Driver’s Story, Randy M. Browne illuminates the predicament and harrowing struggles of these men—and sometimes women—at the heart of the plantation world. What, Browne asks, did it mean to be trapped between the insatiable labor demands of white plantation authorities and the constant resistance of one’s fellow enslaved la...
"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
In Settler Aesthetics, an analysis of renowned director Terrence Malick’s 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial erasure, destruction, and violence against Native peoples, and Native women in particular. Since the romanticized story of the encounter and relationship between Pocahontas and Captain John Smith was first published, it has imprinted a whitewashed historical memory into the minds of Americans. As one of the most enduring tropes of imperialist nostalgia in world history, Renaissance European invasions of Indige...
Hiding in Plain Sight: Women Warriors throughout Time and Space takes the many, long-standing dimensions of military history, including the various modalities of warfare across cultures and periods, and integrates them with the more recent and very substantial contributions of social history, women’s history, black history, feminist theory, LGBTQ community, and other perspectives. By providing an extensive annotated bibliography of the new findings, the work provides the reader with an exciting compilation of new knowledge placed within a longstanding military historical framework, one which provides a broader study and understanding of warfare into which to put the very recent, disparate ...