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Revealing India's Past
Contributed articles.
Inscriptions of the Śarabhapurīyas, Pāṇḍuvaṁśins, and Somavaṁśins
This work is a product of the Inscriptions of India programme of the Indian Council of Historical Research, undertaken with a view to make inscriptions, dating from circa sixth to fourteenth century a.d., available in handy volumes. Part I of the volume introduces Sarabha-puriyas, Panduvamsins and Somavamsins, who played a major role in shaping the destinies of the Chhattisgarh (Kosala) and the adjoining region of Orissa from about sixth to the early twelfth century a.d. It provides a background to the study of the inscriptions by attempting to deal with their formal aspects like the format, palaeography, language, orthography, contents and methods of dating and to trace, for the first time, the evolution of their draft. Part II presents the formal and historical aspects of the inscrip-tions, critically edited texts and fairly compre-hensive abstracts of the records of the Sarabha-puriyas, Panduvamsins of Mekala and South Kosala, and Somavamsins of Kosala and Orissa. It also includes allied inscriptions like the Mallar plates of the Amararyakula chief Vyaghraraja and the Malga plates of Samanta Indraraja. Some of these inscriptions have not yet been published anywhere.
The Age of the Sātavāhanas
Seminar papers.
India As Seen In The Kuttanimata Of Damodara Gupta
The Kuttani-mata of Damodaragupta is one of the few works in the history of classical Sanskrit literature the time and locale of the composition whereof can be ascertained with a fair degree of certainty. We learn from Kalhana that Damodaragupta occupied a high position under the Karkota-Naga king Jayapida Vinayaditya who ruled over Kashmir in the closing years of the eighth and early years of the ninth centuries A.D. A critical study of the internal evidence indicates that the work was probably composed a few years after the close of Jayapida's reign. As indicated by the title, the text aims at exposing the secrets of the whole craft of prostitution in the form of the advice of an experienc...
Holy Ground: Where Art and Text Meet
The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.
Kashmir and It's People
Traces The Journey Of The Land And People From Ancient To The Modern Day. Captures The Factors For The Decline Of Kashmiri Civilization From Glory To The Present State Of Murder And Repire. The Author Hopes The Worst Is Over And The Old Practices Of Kashmiriyat Will Return.
Inscriptions of the Aulikaras and Their Associates
The Aulikaras were the rulers of western Malwa (the northwest of Central India) in the heyday of the Imperial Guptas in the fifth century CE, and rose briefly to sovereignty at the beginning of the sixth century before disappearing from the spotlight of history. This book gathers all the epigraphic evidence pertaining to this dynasty, meticulously editing and translating the inscriptions and analysing their content and its implications.
Kauśāmbī Hoard of Magha Coins
Detailed analysis of the coins issued by Magha rulers of Uttar Pradesh.
