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Part one of a two-part history of the non-Marxist, libertarian form of socialism, aka anarchism. From its origins in the 18th century and the conflicts with Marx in the First International to insurrections, trade unions and specific anarchist organisations, the hidden history of an alternative tradition is revealed. The ideas about socialism so prevalent today, that it equates with state ownership, that is the perogative of the Party, that it has somehow failed, are all dismantled in this scholarly engagement with a complex ideology.
Grievers is the story of a city so plagued by grief that it can no longer function. Dune’s mother is patient zero of a mysterious illness that stops people in their tracks—in mid-sentence, mid-action, mid-life—casting them into a nonresponsive state from which no one recovers. Dune must navigate poverty and the loss of her mother as Detroit’s hospitals, morgues, and graveyards begin to overflow. As the quarantined city slowly empties of life, she investigates what caused the plague, and what might end it, following in the footsteps of her late researcher father, who has a physical model of Detroit’s history and losses set up in their basement. She dusts it off and begins tracking the sick and dying, discovering patterns, finding comrades in curiosity, conspiracies for the fertile ground of the city, and the unexpected magic that emerges when the debt of grief is cleared.
This innovative study, explores the relevance of class as a theoretical category in our world today, arguing that leading traditions of class analysis have missed major elements of what class is and how it operates. It combines instersectional theory and materialism to show that culture, economics, ideology, and consciousness are all factors that go into making “class” meaningful. Using a historical lens, it studies the experiences of working class peoples, from migrant farm workers in California’s central valley, to the “factory girls” of New England, and black workers in the South to explore the variety of working-class experiences. It investigates how the concepts of racial capitalism and black feminist thought, when applied to class studies and popular movements, allow us to walk and chew gum at the same time—to recognize that our movements can be diverse and particularistic as well as have elements of the universal experience shared by all workers. Ultimately, it argues that class is made up of all of us, it is of ourselves, in all our contradiction and complexity.
Shawna Potter has been a touring musician for over twenty years--and has been sexually harassed for just as long. Here's her DIY guide to fighting back.
A catalog of titles available from AK Press Distribution, the American branch of AKA Books Co-Operative LTd., a workers' co-operative wholly owned by its members. Their goal is to make available radical books and other materials, titles that are published by independent presses, and titles with which you can make a positive change in the world.
Osvaldo Bayer's study of working-class retribution, set between 1919 and 1936, chronicles hair-raising robberies, bombings, and tit-for-tat murders conducted by Argentina's working men. Intense repression of labor organizations, newspapers, and meeting places by authorities set off a wave of illegal acts meant to secure funds and settle scores. Escaping similar repression at home, future Spanish Civil War hero Buenaventura Durruti joins the cast on a spree of robberies, ending in a narrow escape back to Europe. Osvaldo Bayer is an anarchist pacifist, author, and screenwriter living in Buenos Aires, Argentina. He is the author of Rebellion in Patagonia (forthcoming from AK Press).
"Few have approached radical theory with the rigor and skill of Kevin Van Meter. Empowering, lucid, and inspiring, Guerrillas of Desire provides an exhaustive (and much needed) retooling of anarchism that will align the dreams of 'becoming revolutionaries' with the reality of everyday resistance." —Alexander Reid Ross, author of Against the Fascist Creep "Looking for the political in the everyday and bringing anarchism into a productive dialogue with Autonomist Marxism, Kevin Van Meter challenges many of the left's usual assumptions and forces a reconsideration of what we mean by 'struggle.'" —Kristian Williams, author of Our Enemies in Blue Behind the smiling faces of cashiers, wait sta...
This is the most extensive collection of Peter Kropotkin's writings available in English. Over half the selections have been translated for the first time or salvaged from long-out-of-print pamphlets and newspapers. Both an introduction to classic texts and a recontextualization of Kropotkin from saintly philosopher to dangerous revolutionary, Direct Struggle Against Capital includes a historical introduction, biographical sketch, glossary, bibliography, and index. Peter Kropotkin was one of anarchism's most famous thinkers. His classic works include The Conquest of Bread and Mutual Aid: A Factor of Evolution. Iain McKay has edited An Anarchist FAQ (volumes one and two) and Property Is Theft: A Pierre-Joseph Proudhon Anthology.
In a time of social and ecological crises, people everywhere are looking for solutions. States and capitalism, rather than providing them, only make matters worse. There’s a growing sense that we’ll have to fix this mess on our own. But how? Deciding for Ourselves, in the spirit of the Zapatistas, demonstrates that “the impossible is possible.” A better world through self-determination and self-governance is not only achievable. It is already happening in urban and rural communities around the world—from Mexico to Rojava, Denmark to Greece—as an implicit or explicit replacement for nations, police, and other forms of hierarchical social control. This anthology explores this “sense of freedom in the air,” as one piece puts it, by looking at contemporary examples of autonomous, directly democratic spaces and the real-world dilemmas they experience, all the while underscoring the egalitarian ways of life that are collectively generated in them.
Looks at the history of the depiction of anti-authoritarian social movements in art.