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The Werewolf is a boldly drawn novel of the tyranny of love over men and women and the unending trials of strength between good and evil in human nature. Its main characters are of heroic stature yet deeply flawed, moving against the backdrop of Norwegian society from World War I to the 1960s. Over the novel broods the symbol of the Werewolf, which for Sandemose represents all the forces hostile to a full, free life--the thirst for power over others' lives, the lust to destroy what cannot be possessed or controlled. In their private encounters with the Werewolf, few can claim total victory. Sandemose's characters all bear the scars of lost battles.
Part of a long series of novels about the author's alter ego, Espen Arnakke, a sailor from Jante, Denmark, begun in 1931 and continuing to 1938. He explores his irrational act of murdering a friend who seduced his girlfriend. This part is set in the small narrow-minded Danish village he calls 'Yoknapatawpha' where Espen explores his childhood to find out who he is.
In the town of Dredsad, the people have a horrible problem. A female vampire named Wandessa is attacking the town. What was once a beautiful and bustling village has turned into one that is cursed. Now, the villagers' only hope lies in a single man--the ravenous Werewolf! Aligned to Common Core standards and correlated to state standards. Graphic Planet is an imprint of Magic Wagon, a division of ABDO.
Deals with the relationships between the crew members on a schooner traveling from Bergen to New Foundland. It includes legends, Freudian psycholoanalysis and short sketches. The crew includes a clergyman accused of child molestation and the Golden Horse, a giant, violent sailor who is the central character of the novel.
Based on the real-life business experiences of the authors' international clients, this updated book addresses such issues as cross-cultural presentations, overseas negotiations, and communicating across language barriers.
The Danes are the happiest people in the world, and pay the highest taxes. 'Neutral' Sweden is one of the biggest arms manufacturers in the world. Finns have the largest per capita gun ownership after the US and Yemen. 54 per cent of Icelanders believe in elves. Norway is the richest country on earth. 5 per cent of Danish men have had sex with an animal. Michael Booth has lived among the Scandinavians, on and off, for over ten years, perplexed by their many strange paradoxes and character traits and equally bemused by the unquestioning enthusiasm for all things Nordic and hygge that has engulfed the rest of the world. He leaves his adopted home of Denmark and embarks on a journey through all five of the Nordic countries to discover who these curious tribes are, the secrets of their success and, most intriguing of all, what they think of each other. Along the way a more nuanced, often darker picture emerges of a region plagued by taboos, characterised by suffocating parochialism and populated by extremists of various shades. 'The next Bill Bryson.’ New York Times Winner of the Best Narrative Travel Book Award from the British Guild of Travel Writers
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This volume gathers together papers presented at the conference “Ecocriticism in the Nordic Countries; Yesterday, Today, Tomorrow” held in Västerås, Sweden, in 2017, organized by the research group Ecocritical Forum at Mälardalen University. The conference, which was an attempt to survey local ecocritical activities, transcended Nordic boundaries, engaging scholars from Europe and the United States. This expansion from the local to the global mirrors the subject of the conference: ecocriticism, a cross-disciplinary field of research in the intersection of environmental issues and cultural expressions. The chapters here engage with topical issues such as the Anthropocene, sustainability in education, and civilizational critique, as well as schools of thought such as materialism, dark ecology and animal studies. The contributions discuss several types of cultural expressions, including film and other visual media, university course design and Nordic, and English language novels and poetry. This volume will attract the interest of readers from a number of different backgrounds, both in the Nordic countries and internationally.