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This book considers the rarely studied but pervasive concepts of doubt that medieval Muslim jurists used to resolve problematic criminal cases.
What is language? How did it originate and how does it work? What is its relation to thought and, beyond thought, to reality? Questions like these have been at the center of lively debate ever since the rise of scholarly activities in the Islamic world during the 8th/9th century. However, in contrast to contemporary philosophy, they were not tackled by scholars adhering to only one specific discipline. Rather, they were addressed across multiple fields and domains, no less by linguists, legal theorists, and theologians than by Aristotelian philosophers. In response to the different challenges faced by these disciplines, highly sophisticated and more specialized areas emerged, comparable to w...
'Kitab at-Tabaqat al-Kabir' by Abu 'Abdullah Muhammad ibn Sa'd is one of the most important and earliest surviving collections of biographical details of the early Muslims, spanning just over the first two centuries of Islam. It is a rich storehouse of information compiled from all the sources available to Ibn Sa'd, as a result of which, the reader is given a vivid insight into the lives of the early Muslims and how extraordinary they were.
This book is the translation of Volume 7 of the Kitab at-Tabaqat al-Kabir of Ibn Sa?d which deals with the Companions, Tabi?un and the subsequent generations of the people of knowledge in Basra, Baghdad, Khurasan, Syria and Egypt. This book is of particular interest because its pages demonstrate the attitude and action of the Companions and the Tabi?un when confronted by the most dangerous of trials ? fitna, or civil war. This is extremely important in the modern age, in which fitna is commonplace, for we can learn a great deal from how the early Muslims dealt with it.
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Sad Sack' is a book of collected writing by Sophia Al-Maria, taking feminist inspiration from Ursula K. Le Guin?s 1986 essay 'The Carrier Bag Theory of Fiction'; opposing "the linear, progressive, Time?s-(killing)-arrow mode of the Techno-Heroic." Encompassing more than a decade of work, 'Sad Sack' tracks Al-Maria?s speculative journey as a writer, from the first seed of her "premature" memoir, through the coining and subsequent critique of "Gulf Futurism", towards experiments in gathering, containing, welling up and sucking dry.0Sophia Al-Maria was Whitechapel Gallery?s Writer in Residence 2018 ? her exhibition ?BCE? (Whitechapel Gallery, January ? April 2019), draws on a year of performances and readings, culminating in two short creation myth films: one from the ancient past, originating with the Wayuu tribe in northern Colombia; the other from the distant future, made with Victoria Sin.0.